Buller Malin

Celebrating its 50th anniversary, the Ostrobothnia Chamber Orchestra and its artistic director Malin Broman have released their first joint album. Stockholm Diary includes Arnold Schönberg's cult work Verklärte Nacht as well as premiere recording of Esa-Pekka Salonen's 'Stockholm Diary'. The Ostrobothnia Chamber Orchestra is conducted by Malin Broman, a Swedish violinist who is also the violin and viola soloist on the album. The unifying factor in the album is not only Schönberg's work Verklärte Nacht, but also the city of Los Angeles. 'The composers of the album, Schönberg, Salonen and Stravinsky, have all been in Los Angeles at some point, so the name of the album could just as well have been LA Diary,' laughs Malin Broman.

Celebrating its 50th anniversary, the Ostrobothnia Chamber Orchestra and its artistic director Malin Broman have released their first joint album. Stockholm Diary includes Arnold Schönberg's cult work Verklärte Nacht as well as premiere recording of Esa-Pekka Salonen's 'Stockholm Diary'. The Ostrobothnia Chamber Orchestra is conducted by Malin Broman, a Swedish violinist who is also the violin and viola soloist on the album. The unifying factor in the album is not only Schönberg's work Verklärte Nacht, but also the city of Los Angeles. 'The composers of the album, Schönberg, Salonen and Stravinsky, have all been in Los Angeles at some point, so the name of the album could just as well have been LA Diary,' laughs Malin Broman.

Leading Swedish composer Jesper Nordin’s soundscape lies at the crossroads of Swedish traditional music, rock and improvised music. On this recording, Daniel Harding and the Swedish Radio Symphony Orchestra perform Röster (‘voices’), a trilogy whose works are each based on different kinds of Swedish music which the composer sees as being part of his background. In Åkallan (‘Invocation’), Nordin has used the traditional vocal technique called kulning as his starting point. Extreme metal rock (through the band Meshuggah) provided the material for Ärr (‘Scar’) and the result is an explosive rhythmic scream that has seldom been heard in classical music. Finally, Öde (‘Fate’ or ‘Deserted’) incorporates recordings by the legendary Swedish opera singers Birgit Nilsson and Jussi Björling in an electronic part which interacts with the orchestra.