C.c.gibbs

These recordings of the Terry Gibbs Quartet reveal, among other virtues, the extraordinary degree of sympathy between Terry and his partner, Miss Terry Pollard, the wonderful pianist of his group. After three years on the road together, the two Terries developed four hands that swing as one. The mental picture of a typical Gibbs performance involves flying mallets, racing thoughts and impulsive improvisation at their most dazzling. There is an essential percussive feel in what most of his fans have come to regard as a typical Gibbs performance; yet there are many occasions when he also offers a discreet and tasteful approach toward slow ballad numbers. All in all, this seems to be as complete a representation as you could wish of the Gibbs talent in every mood.

12 tracks new to CD. Joe Gibbs’ entire dub album output from the 1970s. Includes some of the most acclaimed dub albums of all time.

As the 70s drew to a close, the roots and dub sounds that had dominated the Jamaican music scene for much of the decade gave way to dancehall, a style that continued to find favour with reggae fans until the onset of the digital revolution of the mid-1980s. Aimed squarely at satisfying the demands of live audiences, songwriters largely abandoned the conscious lyrics that had typified the music of the preceding years, focusing instead on subjects which with their Jamaican audiences could readily identify.

Two CD collection containing 48 tracks from the Joe Gibbs' stable of the 1970s, featuring a diversity of performer and musical styles. Includes significant Jamaican hits alongside almost forgotten rarities, with all but 15 recordings making their CD debut, many tracks unavailable on any format since the early '70s with 33 tracks new to CD. As the '70s unfolded, producer Joe Gibbs continued his inexorable rise to the top of the island's musical tree. His willingness to try new talent and styles gave him an edge over many of his contemporaries, as reflected in the willingness of major artists to join his roster of acts.

Son of famed vibist Terry Gibbs, drummer Gerry teams up to record this debut of the second incarnation of The Gerry Gibbs Thrasher Band with 5 multi-talented instrumentalist from all over the state of Texas to create the Gerry Gibbs Thrasher Band 2 ,which played and toured together for 5 years.The 6 musicians of the”Thrasher Band” play 27 instruments between them on this date. Instruments include, Soprano, Alto, Tenor & Baritone Saxophones,Piccolo, Flute, Alto Flute, Bass Flute, Clarinet, Bass Clarinet, Acoustic & Electric Guitars, Vibraphone, Glockenspiel, Acoustic Piano, Mini Moog, Melodica, Harmonica, Trumpet, Acoustic Bass, Drums, Balifone, Kalimba, Recorder, Wood Flute, Gongs, Vocals, & Misc. Percussion.After 5 years the band separated with each member to go on to tour and join the bands of people like Christian McBride, Poncho Sanchez, Billy Childs, Strunz & Farrar and others!

Terry Gibbs - Bopstacle Course (1974) {EPM Musique ‎FDC 5177, Xanadu Collection rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 600 dpi (jpg) -> 52 Mb | 5% repair rar
© 1974, 1991 EPM Musique / Xanadu Records | FDC 5177
Jazz / Bop / Vibes

Vibraphonist Terry Gibbs' first recording as a leader in eight years is quite exciting. Gibbs, Barry Harris (the foremost exponent in the 1970s and '80s of bebop piano), bassist Sam Jones and drummer Alan Dawson romp through four Gibbs originals, "Body and Soul," "Softly As In a Morning Sunrise," "Manha De Carnaval" and "I'm Getting Sentimental Over You." As is usually true of most Terry Gibbs dates, even the ballads are full of plenty of energy. Gibbs and Harris should have a rematch.