Caine Diabeli

NoBusiness presents a new set of recordings by the Adam Caine Quartet recorded April 29, 2018 by Tom Tedesco at Tedesco Studio, mixed by Nolan Thies at the Bunker Studio and mastered by Kevin Blackler.

Few jazz performers have been as successful in applying their improvisational chops to the work of revered classical composers as this Philadelphia born pianist Uri Caine, whose catalog over the years has included homages to everyone from Herbie Hancock and Thelonious Monk to the songs of Tin Pan Alley and more recently, Mahler, Wagner, Bach, Beethoven and Schumann.

Dan Caine is an English ambient/post rock musician, who creates textured, layered guitar melodies that explore a vibrant range of subconscious thought and emotion.

Uri Caine - The Goldberg Variations (2000) {2CD Winter & Winter 910 054-2 rec 1999-2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 768 Mb | MP3 @320 -> 362 Mb
Full Artwork @ 300 dpi (jpg) -> 48 Mb | 5% repair rar
© 2000 Winter & Winter | 910 054-2
Jazz / Classical / Modern Creative / Avant-Garde Jazz / Baroque / Post Modern / Turntables / Electronic

In the 21st century, it's easy to take technology for granted and forget that in the time of Johann Sebastian Bach (b. 1685, d. 1750), there were no cars, busses, airplanes, TVs, radios, movies, tape recorders, electric lights, or computers. People used candles to light their homes, and horses were the fastest way to get around. There were excellent plays and opinionated theater critics to review them, but no cameras to film the actors and actresses. Recording technology had yet to be invented, so the only way to hear classical musicians was to hear them performing live. Although the classical artists of Bach's time could not be recorded, they left behind their compositions, and today's classical musicians continue to keep them alive.

Virtuosity of those two musicians is incredible to discover. They hitting heavy on beautiful standard "Dear Old Stockholm" with grace and gentleness but having guts to alternate harmony in dignified, balanced way. Uri Caine, as it is my second encounter with his artistry (I've only tried "ThePhiladelphiaExperiment"), astonished me with marvelous and complex technique of phrasing with left hand. The illusion (well…) of whole rhytmic section conveyed in his playing cannot be denied - couple of times I really forgot that there're only piano and trumpet. And this is the most tasteful of this album, how he can focus listeners' attention on his play with this wonderful rhythmic, but also so melodic (and bluesy…) approach.

These are mature talents, presented to the world by the Italian branch of Blue Note. It isn't necessary though, because Paolo Fresu and Uri Caine already have quite a name among jazz connoisseurs. They recently released the album Think and we can expect them to tap this source extensively.

Uri Caine & Gustav Mahler - Dark Flame (2003) {Winter & Winter 910 095-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 412 Mb | MP3 @320 -> 184 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 2003 Winter & Winter | 910 095-2
Jazz / Classical / Modern Creative / Third Stream / Piano

In his time, European classical composer Gustav Mahler (b. 1860, d. 1911) had both his supporters and his detractors. Some people in Europe understood his work; some people didn't. And in the 21st century, the same thing can be said about Uri Caine, a risk taker who has been called everything from ultra-pretentious to a musical visionary. The latter, not the former, is accurate; Caine's jazz/Euro-classical experimentation has had its excesses at times, but dismissing him as pretentious or silly is unwarranted – and his pluses greatly outweigh his minuses.