Calendar Year Blocks

Jazz critic Will Friedwald has stated that Julie London's records were so popular in the 1950s mainly because she looked so drop-dead gorgeous on the album covers. The marketing hook behind Calendar Girl may just be the main example for those critical of London's musical career, since its sleeve has made it a prized collector's item. The famous wraparound cover depicts cheesecake shots of London posed for every month of the year, while original issues of the album included a more-than-suggestive insert photo of the singer stretched out in bed. While Friedwald's correct about London's physical beauty, he's wrong in suggesting that the vocalist didn't have the talent to go along with her looks. Like Chet Baker, Julie London had an extremely limited vocal range but she did the most with what she had, possessing a special knack for torch songs that cast her in the role of a woman constantly being destroyed by love in general and by men in particular…

Bo Diddley - Road Runner: The Chess Masters, Vol. 2 - 1959-1960 (2008) {2CD Set Geffen–Hip-O Select B0011076-02}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 987 Mb | MP3 @320 -> 360 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 1959-60, 2008 Hip-O Select / Geffen Records / Universal | B0011076-02
Rock and Roll / Rhythm and Blues / Early R&B / Blues / Electric Chicago Blues

Road Runner, the second volume of Hip-O Select's ongoing chronicle of Bo Diddley's complete Chess/Checker master recordings, covers roughly one calendar year whereas its predecessor, I'm a Man, spanned four — a good indication that 1959 was an eventful year for Bo. During this one year, he had his biggest pop hit in the jive-talking "Say Man" and had another sizable R&B hit with "Crackin' Up," but both these sides were cut in 1958 and released as a single in 1959.