Although Dave Brubeck and Paul Desmond made many rewarding recordings together, this was their only duo album; it was inspired by several duo performances on board a cruise ship. Their magical ESP is evident from start to finish. Brubeck's lyricism throughout these sessions will surprise critics who label him as "bombastic," while Desmond, known for his pure dry-toned alto sax, throws a few curves to his longtime fans.
THE COMPLETE RCA VICTOR RECORDINGS includes the five solo albums Desmond released on RCA's Bluebird imprint in the early 1960s: DESMOND BLUE, TAKE TEN, GLAD TO BE UNHAPPY, BOSSA ANTIGUA and EASY LIVING. Between 1962 and 1964 Paul Desmond , Dave Brubeck's alto saxophonist (and composer of "Take Five"), recorded five remarkable albums for RCA with guitarist Jim Hall. (Listeners might recall that the inimitable Hall also recorded with Sonny Rollins for RCA during the same period.) Luckily, RCA has seen fit to reissue the Desmond-Hall sessions in an attractive 5-CD box. Of these, only the first session, DESMOND BLUE, was arranged for strings. Otherwise it's just Desmond and Hall, a few good bass players and the great MJQ drummer Connie Kay, whom Desmond long revered for his subtle touch.
The most complete package to date of Paul Desmond's RCA works. 6-CD set with all six original albums he cut for the RCA inprint (five of the six albums feature melodic guitar giant Jim Hall, the ideal musical partner for Desmond). All come in nice mini-LP replica sleeves reproducing original cover art, including 24 bonus tracks, and a comprenhensive booklet with full discographical details, rare in-studio photos and liner notes by Grammy-winning box producer Richard Seidel.
Three years after Gerry Mulligan initially sat in with the Dave Brubeck Quartet, the baritone saxophonist arrived at a point where he could perform alongside Brubeck's alto saxophonist, Paul Desmond, for this much anticipated session. When legal issues, wranglings with producer Norman Granz, and the question of which record label would subsidize and release this album were resolved, the two saxophonists went ahead to produce a delightful program of standards and originals where their more playful sides could fully blossom…
Best known as a member of Dave Brubeck's legendary quartet and the man who wrote the biggest-selling jazz single ever, 'Take Five', Paul Desmond's importance as a jazz performer cannot be underestimated. A master of the alto saxophone as well as a consummate composer and musician, Desmond was a pivotal figure on the West Coast cool jazz scene. His time with Brubeck produced some of the most critically-acclaimed recordings in history, in particular the magnificent Time Out (Columbia, 1959). However, Desmond was also an accomplished bandleader in his own right, with the material released during the early part of his career remaining among his finest work. Paul Desmond remained active throughout the rest of his career, producing a multitude of albums and performing live with Dave Brubeck, Chet Baker, Gerry Mulligan, Jim Hall, Ed Bickert and The Modern Jazz Quartet among others.
Three years after Gerry Mulligan initially sat in with the Dave Brubeck Quartet, the baritone saxophonist arrived at a point where he could perform alongside Brubeck's alto saxophonist, Paul Desmond, for this much anticipated session. When legal issues, wranglings with producer Norman Granz, and the question of which record label would subsidize and release this album were resolved, the two saxophonists went ahead to produce a delightful program of standards and originals where their more playful sides could fully blossom. The wonderful interaction between Mulligan's burly but agile horn and the ultimate smooth - but in this case animated and energized - sax of Desmond is more than just magical, and makes for a fluid, jaunty, delicious combination sure to please even the most jaded or stone-eared music listener…