Cape Caribbean Studies Unit 2 Workbook

This book tells a distinct story of Indians in the Caribbean–one concentrated not only on archival records and institutions, but also on the voices of the people and the ways in which they define themselves and the world around them. Through oral history and ethnography, Lomarsh Roopnarine explores previously marginalized Indians in the Caribbean and their distinct social dynamics and histories, including the French Caribbean and other islands with smaller South Asian populations. He pursues a comparative approach with inclusive themes that cut across the Caribbean.

This book provides a much-needed study of the lived experience of militarization in the Caribbean from 1914 to the present. It offers an alternative to policy and security studies by drawing on the perspectives of literary and cultural studies, history, anthropology, ethnography, music, and visual art. Rather than opposing or defending militarization per se,

This book provides a much-needed study of the lived experience of militarization in the Caribbean from 1914 to the present. It offers an alternative to policy and security studies by drawing on the perspectives of literary and cultural studies, history, anthropology, ethnography, music, and visual art.

This book provides a much-needed study of the lived experience of militarization in the Caribbean from 1914 to the present. It offers an alternative to policy and security studies by drawing on the perspectives of literary and cultural studies, history, anthropology, ethnography, music, and visual art.

Wild Unit 2 by Canadien, Michel Cusson, is a pretty much a straight-ahead, mostly instrumental jazz effort with slight fusional tendencies. The album features a rich tonal spectrum comprised of clean-tone guitar work, sublime bass guitar, a tactful horn section, savvy yet subtle percussion, seamless keyboard voicings, and classy sax extempore. The music can be characterized as upbeat, tasty, smooth jazz that aims for the accessible grooves that are voiced by the horn section, bass, and rhythm guitar.

This book provides a much-needed study of the lived experience of militarization in the Caribbean from 1914 to the present. It offers an alternative to policy and security studies by drawing on the perspectives of literary and cultural studies, history, anthropology, ethnography, music, and visual art.