Cappella Pratensis

Various Artists - La Polyphonie Flamande - The Flemish Polyphony (2011) {8CD Set Ricercar RIC 102}

Various Artists - La Polyphonie Flamande - The Flemish Polyphony (2011) {8CD Set Ricercar RIC 102}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.67 Gb | MP3 @320 -> 1.45 Gb
Full Artwork @ 300 dpi (jpg) -> 252 Mb | 5% repair rar
© 2011 Outhere / Ricercar | RIC 102
Classical / Early Music / Polyphony / Medieval / Choral / Renaissance / Sacred Works

The composers known collectively as the Fiamminghi made their mark in Europe in general and in Italy and in France in particular during the 15th century. Their talent and skill gained them the most important positions in the great musical establishments of the time. This collection is devoted to the leading composers of the 15th century, from those of the first generation (Guillaume Dufay, Gilles Binchois, Arnold de Lantins and Johannes Brassart) through Johannes Ockeghem, the great master of polyphonic technique, to Josquin Desprez and Pierre de La Rue, two musicians taught by Ockeghem who laid the foundations of the Ars Perfecta during the Renaissance. Also included is Jacob Obrecht, the only composer of this school whose career was based essentially in his native Flanders. Every genre of both sacred as well as secular music of the time is represented here.
Jérôme Lejeune - L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance [8CDs] (2013)

Jérôme Lejeune - L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance [8CDs] (2013)
EAC | FLAC | Image (Cue & Log) ~ 2.88 Gb | Total time: 10h35' | Scans included
Classical | Label: Ricercar | # RIC 106

Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style. Josquin Desprez’s example was followed by every composer in every part of Europe and in every musical genre, including the Mass setting, the motet and all of the various new types of solo song. Instrumental music was also to develop considerably from the beginning of the 16th century onwards.