Captain Beyond is a one-of-a-kind progressive album with rock, heavy metal, and jazz influences with a "space rock" lyrical bend. Formed by former members of Deep Purple (Rod Evans, vocals), Iron Butterfly (Rhino, lead guitar, and Lee Dorman, bass), and Johnny Winter (Bobby Caldwell, drums) Captain Beyond is an album that flows from riff to riff, drumbeat to drumbeat, often with various time signatures within the same song. Taking a tip from the Moody Blues, songs flow directly into each other without benefit of any lag time between selections. Taken as a whole, the album is kind of a rush, as quick, riff-laden guitar lines predominate for a few songs before slowing down temporarily into a lull until the next takeoff.
Captain Beyond's second album must have confused the diehards. Where their self-titled debut had upheld the basic progressive heavy rock blueprint of lengthy instrumental explorations, constant tempo changes, and opaque, yet cinematic lyrics, Sufficiently Breathless downplays them for a subtler, song-oriented production. The predominant mood is snappy and businesslike; no track runs over five and a half minutes. This newfound conciseness certainly benefited such heavy-rocking efforts as "Distant Sun," even as the band stuck to their diverse guns on the moody, acoustic title track and the sleek Latin funk rock of "Bright Blue Eyes" and "Everything's a Circle." The results were intelligent and self-assured, yet the band's never-ending bad luck again intervened when vocalist Rod Evans quit in late 1973, leaving the album adrift. The band would proffer a markedly different style on their return four years later, but anyone dismissing progressive heavy rock as an oxymoron should definitely check out this album first.
Soft rock duo Daryl Dragon and Toni Tennille definitely didn't fit everybody's notions of cool. "Muskrat Love" is a quintessential slice of novelty cheese that could only have scored during the '70s. But it's unfair to judge them by something they didn't write and isn't representative of their career. (However, Dragon's bare-chested poses on the original gatefold sleeve definitely fell into the "what were they thinking?" file.) Otherwise, there aren't any blemishes on this roundup of their first three A&M albums – a commercial coup accorded to few acts so early in their careers. The buoyant "Love Will Keep Us Together" is the natural opener – and set the template for a style centered around Dragon's lush, baroque keyboards and Tennille's breathy, intimate vocals.
Hip-O's Ultimate Collection: The Complete Hits will likely be too much music for most audiences, simply because most listeners don't remember much more than "Love Will Keep Us Together," "Muskrat Love," and "Do That to Me One More Time" from Captain & Tennille. They actually had many more hits than that – 11 more, four of which hit the Top Ten, actually (for the record, they are "The Way I Want to Touch You," "Lonely Night (Angel Face)," "Shop Around," and "You Never Done It Like That"). All of them are here, along with several other singles and album tracks on this generous 22-track collection. To be frank, Captain & Tennille weren't quite varied or deep enough to make this collection not lose steam toward the middle, but the highlights – the three Neil Sedaka-penned tunes ("Love Will Keep Us Together," "Lonely Night (Angel Face)," "You Never Done It Like That,") plus "Do That to Me One More Time" – are all very good, standing proudly amongst soft rock hits of the time.