Captaine Roshi Larosh 1er

Watazumi Doso Roshi - Sokoinrancho (1971) {Philips Japan, 30LD-1017, Early Press}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 208 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 136 Mb | 5% repair rar
© 1971, 1987 Philips / Nippon Phonogram Japan | 30LD-1017
Folk / Japanese / Religious / World Music / Traditional / Bamboo Flute

Before Watazumi-do was named Watazumi-do, his name was Tanaka Masaru. When he was twenty years old, he studied from a man named Nakamura Kikufu who studied with Sakurai Muteki, who studied with Okamoto Chikugai. He is also said to have studied under Uramoto.

When British producer Harold Davison thought of rivalling the American “Jazz At The Philharmonic” (JATP) formula of the great jazz impresario Norman Granz, he invented “Jazz from Carnegie Hall”. It was short-lived, but given the talent of the musicians onstage it had no cause to be jealous. This concert was recorded on October 1, 1958, and the tracks here are the only ones to survive from that session. This is their first-ever release, and they feature the cream of the crop in the late Fifties: the Golden Age of jazz in Paris.

Debussy - Préludes 1er Livre, Estampes (Dang Thai Son)
Classical/Piano | 1CD | FLAC | 160 MB - MP3 | 320 Kbs | 55 MB
Publisher: Phuong Nam Phim | Language: no | RapidShare

“A genuine musician” - Isaac Stern, Miyazaki, Japan, May 2001

A century after his death on 25 March 1918, many harmonia mundi artists are eager to pay tribute to Claude Debussy, the magician of melody and timbre, the great ‘colourist’ and father of modern music. Javier Perianes, for his part, wanted to come back to these Préludes that are so close to his heart, after an earlier album devoted to the intangible links between Chopin and Debussy. This First Book, presented here in its entirety alongside the sublime Estampes, plunges us into the heart of music capable of dictating its title to each piece… beneath the final double bar.

Tobias Hume is certainly one of the most remarkable personalities in the history of music. He considered himself first and foremost a soldier. He travelled through Europe and served in several armies as a mercenary. In 1624 he entered the London Charterhouse as a "poor brother". Towards the end of his life his living conditions had severely worsened and in 1645 he died a poor man.

Tobias Hume (c.1570-1645) was a professional soldier and a ‘gentleman’ (read amateur) composer, and virtuoso of the bass viol. His Musicall Humors (1605), a large collection of solo pieces, is the first publication devoted to the lyra viol, a style of playing that treated the instrument polyphonically, like a lute. Hume reveals himself as a distinct, even eccentric, personality, and an inventive composer, expanding the viol’s normal range with such unusual devices as col legno (‘Drum this with the backe of your Bow’). Jordi Savall’s cultivated, elegant style is very appropriate for much of the music; occasionally he adopts a more earthy manner to great effect – for example in A Souldiers Resolution, with its trumpet and drum imitations.