Although the film in question is largely forgotten, Jerry Goldsmith's music for the sci-fi opus Capricorn One looms as arguably the most influential and imitated action score of the late 20th century. An exhilarating work that evolves with masterful purpose and precision, its densely percussive arrangements remain synonymous with adventure and suspense decades after the fact. Where followers like Alan Silvestri and James Horner rely almost solely on sensory assault to convey danger and dread, Goldsmith sculpts the music of Capricorn One via complex orchestration and meticulous sound effects, building and expanding his central themes to create genuine drama. Tightrope-taut and brilliantly paced, the soundtrack is more vividly cinematic than its accompanying celluloid images themselves. It's a virtual master class in the art of film music.
Singer/ songwriter Cindy Ryan wanted to release her first solo album in 1997 after sometime performing in her native Sydney, Australia. But after working with studio musicians Genevieve Maynard (guitar), Bowden Campbell (guitar) Raph Whittingham (drums) and Pat Hayes (bass), something clicked. Deciding to scrap the solo career, Ryan instead formed Stella One Eleven with the players she worked with; resulting in the release of "Mr. Big Car" the following year…
One Shot was created in 1999 by keyboarder Emmanuel Borghi and guitarist James McGaw, both Ex-Magma musicians. The original duo was completed by bassist Philippe Bussonnet and drummer Daniel Jeand'heur for their first self-titled record, released in 1999…
“Revel in Time”, the third album from ARJEN ANTHONY LUCASSEN'S STAR ONE, is as much of a reaction as it is a contrast to Arjen Lucassen’s previous album, “Transitus” from Ayreon. While “Transitus” is a cinematic experience that you may almost call a musical, “Revel in Time” is a heavy album that is very riff driven and there is more focus on virtuoso musicianship. Similar to its predecessors, “Revel In Time” works as a concept album. All tracks are inspired by different movies that deal with some kind of manipulation of time. There is one thing this time around that is quite different compared to the earlier STAR ONE albums: The first two had the same cast of four singers: Floor Jansen, Russell Allen, Damian Wilson and Dan Swano. However, this time Arjen decided to generally have mainly one singer per track, and a different for almost each track. This shows especially on CD 2, the “Same Songs, Different Singers”-CD as Arjen likes to call it. The guide vocals that were recorded (for the other singers) were way too good to just be guide vocals. Thus, Arjen decided to release a second version of the songs with the guide vocals on them as CD2.
With a career spanning more than three decades, composer and multi-instrumentalist Arjen Lucassen has firmly established himself worldwide as driving force in progressive rock. While best known for his rock opera project Ayreon, the multi-talented Dutchman also regularly embarks on musical side projects such as Ambeon, Guilt Machine and Star One. These projects all explore different aspects of Lucassen's musical personality. Lucassen strives to keep a consistent cast of vocalists for Star One rather than mixing it up with the ever-changing vocal line-up that characterizes Ayreon. For "Victims of the Modern Age" he reunited the stellar cast of lead vocalists from the first album, “Space Metal” (2002): Russell Allen (Symphony X), Damian Wilson (Headspace, Threshold), Floor Jansen (ReVamp, ex-After Forever), and Dan Swanö (Nightingale, Second Sky, ex-Edge Of Sanity)…
Revel in Time is the third studio album by Arjen Anthony Lucassen's progressive metal project/supergroup Star One, released via Inside Out on 18 February 2022…