Carl Sunders

George Barnes and Carl Kress often teamed up to play guitar duets from 1962-65, although they made relatively few recordings. "Guitars Anyone?" was their last meeting on record, and it finds the pair in high spirits on a dozen selections. The second part of this CD features Barnes' Second Quartet with Dick Hyman, Hank Jones, Milt Hinton, Jo Jones and others.

Christina Raphaëlle Haldane is thrilled to present Tu me voyais, her first record on Leaf Music set to be released on October 21, 2022. Tu me voyais is the result of the collaboration between Christina Raphaëlle Haldane and Carl Philippe Gionet, along with several other artists, writers, and composers who have contributed their own offerings. This album is anchored around Gionet’s new arrangements of Twelve Acadian Folk Songs, tailored for Haldane’s voice. These re-imaginings are set in the 19th century lieder aesthetic or art song where voice and piano play equal solo parts within the musical architecture.

In his informative review of Michael Kieran Harvey’s excellent CD covering most of this repertoire (Tall Poppies 190), Phillip Scott aptly summarized Carl Vine’s music as “large-gesture Lisztian Romanticism, tempered by the influence of Messiaen, Carter, and other modernists” ( Fanfare 30:5). You might also want to throw Read more Lento middle section of the First Sonata’s second movement).

The music on this CD is very much in the Young Lions/modern hard bop vein. In this 1989 session, drummer Carl Allen leads a fairly young all-star group - comprised of trumpeter Roy Hargrove, Vincent Herring on alto, soprano, and flute, pianist Donald Brown, and bassist Ira Coleman - through five originals by bandmembers and five standards. Veteran trumpeter Freddie Hubbard sits in on "Piccadilly Square" (a rare chance for one to hear both Hubbard and Hargrove soloing on the same number) and "In the Still of the Night." Few surprises occur, but the musicians (particularly Herring) play up to expectations and fans of hard bop will enjoy this.

Carl Friedrich Abel (1723-1787) was born in Köthen, a small German city, where his father, played viola da gamba and cello in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach, moved to Leipzig. That the young Abel later attended the Leipzig Thomasschule and was taught there by Bach is not finally confirmed. What is known, however, is that he joined Johann Adolph Hasse's court orchestra in Dresden on Bach's recommendation in 1748, where he remained for nine years. On Bach's recommendation in 1748 he was able to join Johann Adolph Hasse's court orchestra at Dresden, where he remained for fifteen years.

The four-part "Nyala" is Stone's first full-length for the Nottingham-based Em:t label, whose usual base of post-rave electronic experimenters is pretty severely shaken by Stone's unflinching, often very dissonant textural sense. The piece works slowly through vague, minimal melodic passages to busier, more antagonistic sections, with repeating elements tweaking and morphing over time.