By the release of Amigos, the Santana band's seventh album, only Carlos Santana and David Brown remained from the band that conquered Woodstock, and only Carlos had been in the band continuously since. Meanwhile, the group had made some effort to arrest its commercial slide, hiring an outside producer, David Rubinson, and taking a tighter, more up-tempo, and more vocal approach to its music. The overt jazz influences were replaced by strains of R&B/funk and Mexican folk music. The result was an album more dynamic than any since Santana III in 1971. "Let It Shine" (number 77), an R&B-tinged tune, became the group's first chart single in four years, and the album returned Santana to Top Ten status.
Marathon marked the addition of keyboard player Alan Pasqua and singer Greg Walker's replacement by singer/guitarist Alex Ligertwood in the Santana lineup. Otherwise, the album was notable for consisting entirely of band-written material, although those songs were in the established R&B/rock style evolved on albums like Amigos, Festival, and Inner Secrets.
Santana's follow-up to its comeback album, Amigos, was another David Rubinson-produced effort that moved back toward more of a Latin rock feel, although it retained an essentially pop focus – "The River" was the first real vocal ballad on a Santana album. If any doubt still existed that the group was no longer a band of equals but a platform for its lead guitarist, the current lineup dispelled that; Carlos Santana was now the only original member of the band left. Although the album went gold, the lack of a hit single hurt the album's commercial standing; its number 27 peak was the lowest yet for a Santana band album.
'Ballroom Dance Collection' series dedicated to providing comprehensive collections of topics for ballroom dancing or competition of different common styles.
Performed to dance by internationally famous bands as Klaus Hallen, Giants of Latin, Hugo Strasser, Max Greger or Ambros Seelos among others.