Carlotta Lolli

Lolli has received relatively little attention in modern times. I haven’t, for example, been able to trace a single reference to him in the pages of MusicWeb International. Despite this he holds a rather prominent place in that line of Italian violin virtuosi which runs from a figure such as Biagio Marini through Corelli and Tartini to Paganini and Viotti. The musicologist Albert Mell has, not unreasonably, written of him that he “was from many points of view the most important violin virtuoso before Paganini” (Musical Quarterly, Vol. 44, 1958) and Simon McVeigh (in The Cambridge Companion to the Violin) has described him as “the archetypal travelling virtuoso”.