Carmen Bizet

The libretto, by Henri Meilac and Ludovic Halévy, is based on a novella by Prosper Mérimée. The first performance of Carmen on 3 March 1875, produced such a hostile reaction that Bizet left Paris physically and psychologically ill, and died only three months later on 3 June 1875, following two serious heart attacks. The massive scandal of the premiere may have been partially the result of Bizet’s attempt to reform the Opéra Comique genre, yet it must still be said that Carmen is operatic history’s most famous example of a failure being corrected by the passage of time: Carmen is now one of the most frequently performed operas in the world.

This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José.

After three decades of Carmen in opéra comique-style, each one offering its own brand of authenticity, here we are back in the 19th century with the old grand opera version, with the Guiraud recitatives, tacked on after Bizet’s death. This was the way Carmen was usually performed until the 1950s, when producers and scholars started to reconsider the original.

James Levine's conducting of this work is magnificent. You can just see the passion that he brings forth for this opera. He is paired with a very talented group of singers in the principal roles. Both Agnes Baltsa and José Carreras are doing a brilliant job with both their singing and acting. They both have a stage presence that very few can beat. Agnes Baltsa possesses a crystal clear voice, but she can also belt if that's what it takes to make the final outcome more believable. José Carreras' voice contains so much beauty; it's full of emotions, sensual and with that irresistible hint of honey. Like Baltsa he can also sacrifize beauty to enhance his performance.

Franco Corelli's charismatic Don Josè finally available on home video in this 1956 production with the great tenor in his early prime. Carmen is sung by Belén Amparan and Anselmo Colzani contributes a swaggering Escamillo.

As well as triumphant successes as Carmen in London, Vienna and Munich, Elīna Garanča, “the Carmen of our day” (News, Austria), took New York’s Metropolitan Opera by storm in this ‘Met Live in HD’ performance, transmitted to cinemas around the world and now available for the first time on BluRay. Starring alongside her is star tenor Roberto Alagna as Don José, Barbara Frittoli as his first love Micaëla and New Zealand baritone Teddy Tahu Rhodes as the toreador Escamillo. The Metropolitan Opera Orchestra is conducted by rising star Canadian maestro Yannick Nézet-Séguin.

Known for one of the world's most popular operas, Carmen, Georges Bizet deserves attention as well for other works of remarkable melodic charm. Many of his works received cool receptions upon their premieres but are now considered central to the repertory of classical music.

Carmen, a tempestuous opera written by Georges Bizet, is set in the city of Seville, Spain. Carmen is sexy and capricious, and freely taunts the soldiers around her saying she will love or discard whom she chooses just as she pleases. But, after attacking another woman at the cigarette factory with a knife Carmen has to use her seductive skills on her guard, Don Jose, to escape going to prison. Passion between Don Jose and Carmen, and Escamillo, a celebrated toreador who is infatuated with her, leads to jealousy, violence and death. Rinat Shaham with her sublime singing dominates the bull-fighting arena as the provocative and alluring Carmen, while Dmytro Popov portrays Don Jose with a perfect mix of naivety and mad desire, his rich tenor rolling out across the bay.

Arthur Fiedler's recording of Shchedrin's Carmen Ballet is excellent in every way. The composer's imaginative rescoring of several sections of Bizet's opera for strings and percussion is a superb reorchestration exploiting a full range of percussion timbre that reveals an incredible array of views of the score that continually delight the listener. The Ballet, composed as a vehicle for his celebrated wife- prima ballerina of the Bolshoi Ballet, Maya Plisetskaya - is an extraordinary orchestration which invites the listener to explore new and very different colors with music originally scored for Bizet's classically constituted orchestra of the opera pit. While the disk also includes the Incidental Music to "Hamlet" by Shostakovich and Glazunov's Carnival Overture, it's the Shchedrin performance that makes the disk worth any price for the listener who values discovering new things in music well known in an earlier guise.