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Górecki Chamber Choir, Passionart Orchestra Krakow - Rossini: Matilde di Shabran (1821 Version) (2020)

Górecki Chamber Choir, Passionart Orchestra Krakow - Rossini: Matilde di Shabran (1821 Version) (2020)
FLAC tracks | 03:17:19 | 0.98 Gb
Genre: Classical / Label: Naxos

The comic-heroic romp Matilde di Shabran was Rossini’s last commission for the theatres of Rome, the city where he’d had great successes such as Il barbiere di Siviglia. Rossini took advantage of the agile, sparkling style of librettist Jacopo Ferretti to create a narrative in which the ferocious Corradino, a declared misogynist, is introduced to the resourceful Matilde, who succeeds in melting his iron heart and winning his love. This premiere recording revives the original 1821 Rome version, which was conducted at the last minute by Paganini, and caused brawling in the streets between Rossini’s admirers and detractors.
Passionart Orchestra Krakow - Rossini - Matilde di Shabran (1821 Version) [Live] (2020) [Official Digital Download]

Passionart Orchestra Krakow - Rossini- Matilde di Shabran (1821 Version) [Live] (2020) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 03:17:26 minutes | 2,08 GB
Classical | Label: Naxos, Official Digital Download

The comic-heroic romp Matilde di Shabran was Rossini’s last commission for the theatres of Rome, the city where he’d had great successes such as Il barbiere di Siviglia.
José Miguel Pérez-Sierra, Passionart Orchestra - Rossini: Matilde di Shabran (2020)

José Miguel Pérez-Sierra, Passionart Orchestra - Rossini: Matilde di Shabran (2020)
EAC | FLAC | Image (Cue & Log) ~ 923 Mb | Total time: 197:26 | Scans included
Classical | Label: Naxos | # 8.660492-94 | Recorded: 2019

The comic-heroic romp Matilde di Shabran was Rossini’s last commission for the theatres of Rome, the city where he’d had great successes such as Il barbiere di Siviglia. Rossini took advantage of the agile, sparkling style of librettist Jacopo Ferretti to create a narrative in which the ferocious Corradino, a declared misogynist, is introduced to the resourceful Matilde, who succeeds in melting his iron heart and winning his love. This premiere recording revives the original 1821 Rome version, which was conducted at the last minute by Paganini, and caused brawling in the streets between Rossini’s admirers and detractors.