Carolin Rose

Carolin Widmann’s widely acclaimed ECM recordings have traversed a broad arc of music – from Schubert to Xenakis. Here she turns her attention to one of the pivotal compositions of Morton Feldman. "Violin And Orchestra", composed in 1979, marked a new direction, with an almost painterly attention to detail in slowly unfolding music. It is not a concerto in the strict sense of the term, not soloist with orchestral support. The violinist must move inside the glowing colour-field of sound. In this landmark Feldman recording, Widmann does so with great delicacy and feeling, exploring the subtle orchestral texture, crafted together with conductor Emilio Pomarico and the players of the Frankfurt Radio Symphony Orchestra.

"Loner" is Caroline Rose's sophomore album, coming four years after her "I Will Not Be Afraid" debut. The new album sees the Indie Rockabilly musician exploring a more synth-oriented pop sound to bolster her “darkly comedic” songwriting. Rose co-produced Loner alongside Paul Butler at Stinson Beach, California’s Panoramic Studios. It’s her most hands-on effort yet, as she wrote and arranged everything herself while playing keys, guitar, and bass; programming synths and drums; handling mixing; and controlling the entire creative aesthetic.

Movements; three suites each with seven movements. In her intriguing new album, viola da gambist Johanna Rose places a prelude by Sainte-Colombe (father) in front of the six movement Bach suite in D minor and finished the D major Bach suite with a chaconne by Sainte- Colombe. The third ‘suite’ is an all family affair with music by both father and son, fashioned into a suite by Rose.

During 2020 I noticed that I was gravitating - as a listener - to more intimate, human-sounding music. Nick Drake. Joni Mitchell. I wanted to hear skin on guitar string, or a voice that sounded as clear and close as if that person were sitting right next to me. Looking back, it makes sense that I was seeking out that human touch in a time that was so robbed of it. Just like everybody, it was a hard time for me.

Lucy Rose Parton, known as Lucy Rose is an English singer-songwriter from Warwickshire, England. Her debut album, "Like I Used To" was released in September 2012. Lucy Rose released her second album "Work It Out" in 6 July 2015 on Columbia Records.

Love As Projection is the new album by Frankie Rose, her fifth studio LP and second for Night School following the reissue of her interpretation of The Cure’s Seventeen Seconds. Frankie Rose has forged an enviable musical legacy, from playing with bands like Crystal Stilts and The Vivian Girls but on Love As Projection she takes a bold step into electronic pop production. A sumptuous recorded statement, it dances in ecstasy and broods on the tumult of the western world’s decay in equal proportion. At the heart of the album is glowing, confident songwriting, resplendent in hooks and choruses but still touched with an optimism undimmed.

Baby Rose makes healing music for the aimless and heartbroken. The Grammy-nominated singer/songwriter and producer’s uniquely rich voice naturally lends itself to her powerful, smoke-filled ballads lamenting lost loves and broken futures. “I make music to help myself get through things,” she says.

Caroline Rose releases her fantastic new album The Art of Forgetting on New West Records. Rose is an artist known for their wit and satirical storytelling, but for the first time, with The Art of Forgetting, Roseʼs music teems with raw, intense emotion. With no guard up this time, they present the type of confessional honesty weʼve only previously caught glimpses of in their work.

Black Rose Maze is singer Rosa Laricchiuta’s very own hard rock project and summer 2020 will see the release of her self-titled debut. The album is comprised of driving hard rock that backs up Rosa’s unbelievably powerful voice.

Less than a year after her album Through and Through, Baby Rose returns with Slow Burn, a collection of songs that explode her sonic palette from progressive R&B into a rawer, richer and more sprawling lens of American music. Here, Rose asserts herself as not only a once-in-ten-lifetimes vocalist, but as a formidable songwriter connecting the dots where Muscle Shoals meets psych, psych meets jazz, jazz meets Americana, and the right players bring it all together. Produced by BADBADNOTGOOD, Rose and the band found an instant but seemingly endless well of inspiration; what started as an introduction became a day, became a song, became a night, became Slow Burn.