Carreño

Carreno received early lessons from her father, who is also credited for developing her strong sense of self-criticism, to which she attributed her success. She also studied with Gottschalk and later with Anton Rubinstein. She was very successful in Germany, where she lived for over 30 years. Most of her compositions were for piano, although an interest in strings motivated her to write a String Quartet in b minor. Carreno was married four times, and together with her second husband, Tagliapietra, she organized, conducted and sang in an opera company in Venezuela. Her third husband greatly influenced her style, changing her performances from the tempestuous to the thoughtful.

Conductor Peter Phillips is one of the leading lights in the world of British choral music, best known as the director of the prolific and durable group The Tallis Scholars. He is also a noted scholar, radio and television presenter who has done much to popularize Renaissance music, a music label founder and executive, and an educator. Phillips was born on October 15, 1953, in Southampton, England. He studied at St. John's College, Oxford University, as an organ scholar. By the time he graduated in 1975, he had gained a grounding not only in choral and organ music but in music history, studying with two of the leading British musicologists of the day, Denis Arnold and David Wulstan. In 1973, Phillips assembled a group of singers from Oxford and Cambridge to perform Renaissance music and named them The Tallis Scholars in honor of English Renaissance composer Thomas Tallis. The term "Scholars" was not merely fanciful, for the singers were all choral scholars from the various colleges of the two universities. Phillips held teaching posts at Oxford, the Royal College of Music, and Trinity College of Music, but the activities of The Tallis Scholars expanded after they established themselves formally in 1978.

Ignaz (or Ignacy) Friedman was one of the most important pianists from the early decades of the twentieth century, ranking in stature with such keyboard stalwarts as Josef Hofmann, Sergey Rachmaninov, Josef Lhevinne, and Leopold Godowsky. His contemporaries were among his greatest admirers: Horowitz, a friend but generally taciturn in offering praise to rivals, was said to have assessed Friedman's technique as stronger than his own. Friedman was also a composer with a fairly substantial output, mainly of piano works or of chamber music involving the piano. He also transcribed many compositions for his instrument and edited Chopin's complete piano works, as well as selected ones by Beethoven, Liszt, and others.