Carulli Guitar

I have heard for so many years that the guitar is not a true classical instrument worthy of of a place in the symphony. Here you have a masterful recording from a composer that was a contemporary of Beethoven. It trully rivals anything I have heard form that period! I have been a Carulli fan ever since I started studying classical guitar. I love either playing or listening to his works. With nearly four hundred opus numbers, he has something to offer even the most discriminating classical music lover. This particular recording has a nice mix of concertos and duets for guitar and flute that seem to be the perfect combination for music that soars along.

In the early nineteenth century, when the virtuoso guitar concerto was born, Italy and Spain produced their share of outstanding musicians who were, like British inventions, more likely to prosper outside their homeland: Sor and Aguado left Spain, Carulli and Molino departed from Italy; all four converged on Paris where, no doubt with much exaggeration, the rivalry of the supporters of the last two was depicted in a cartoon. Molino has derived negligible posthumous benefit from recording or concert performance, nor has Carulli done much better, the spotlight resting doggedly on some of their contemporaries.