Casare ii 2017

Four years after Adrian Vandenberg made a spectacular comeback with Vandenberg’s Moonkings, the band returns with a sophomore album, simply titled MK II. The album has all the qualities of the debut: once again the four-piece band manages to create a perfect mix of vintage seventies hard rock and current styles of heavy rock. Adrian Vandenberg shines as a bonafide guitar virtuoso, while the rest of the band also delivers in spades.

Si Back Roads est si bon, ce n'est pas uniquement parce qu'il vient de Lyon ni parce qu'il est propulsé par l'organe de feu d'une chanteuse, Sylvaine, digne des plus grandes tigresses, mais surtout parce qu'il a (re)trouvé la formule magique d'un hard rock à la fois bluesy et râpeux dont les racines seventies lui confèrent une patine chaudement authentique sans faire de lui un groupe vintage ou garage de plus. Son art possède tout simplement ce qu'on appelle une âme, loin de ces banales photocopies du passé aussi jouissives soient-elles.

Viva Brother are an English rock band from Slough, England. Previously known as Brother, they signed to Geffen Records in October and EMI Publishing in November 2010. Their debut album, Famous First Words, was released on 1 August 2011, and reached #34 on the UK Albums Chart. It was confirmed on 1 April 2012 that Viva Brother had split up. In June 2012, the band members launched a new band, the synthpop group Lovelife. Viva Brother uploaded a cryptic video to their social media platforms on September 22, 2017, hinting at an announcement on October 3. The band confirmed they were reuniting on October 3, with their first show to be played at The Garage, in London, on November 30.

Four years after Adrian Vandenberg made a spectacular comeback with Vandenberg’s Moonkings, the band returns with a sophomore album, simply titled MK II. The album has all the qualities of the debut: once again the four-piece band manages to create a perfect mix of vintage seventies hard rock and current styles of heavy rock. Adrian Vandenberg shines as a bonafide guitar virtuoso, while the rest of the band also delivers in spades.

Initiated by Hunter College’s conductor Reuben Blundell, this project features premiere recordings of turn of the century works for string orchestra. The works included on this album are by composers such as Carl Busch, Horatio Parker, Arthur Foote, and many more. Reuben Blundell conducts the Gowanus Arts Ensemble for this recording.

Hell's Belles are first and foremost dedicated AC/DC fanatics. This is what we all have in common. We're all part of a huge community of devotees to one of the greatest rock-n-roll bands in the world. This is who we all are, and this is what Hell's Belles strives to deliver with mechanical precision and passionate fury. Endorsed by Angus Young himself (Blender Magazine, 2003), Hell's Belles are the closest one can get without actually moving to Australia and joining AC/DC's road crew.

Udacha continues to excel in its function as a beam of light shining into the Russian underground with this wonderful album of grainy leftfield delights from S A D. The duo of Vasily Stepanov and Vlad Dobrovolski reportedly find their unique sound by experimenting with cassette manipulation, using magnets to alter their source material before sticking everything together in a hazy, wide-reaching whole.

This is the second volume in a collection by conductor Reuben Blundell surveying pieces by American composer from the late 19th century. With each piece receiving its premiere recording, this volume sheds light on the push and pull these composers felt between Americana and the prevailing Central European compositional style of the day. Blundell's interpretations are nuanced and passionate and beautifully realized by the Gowanus Arts Ensemble.

Released on 22 October 1969, Led Zeppelin II is one of one of the greatest and most influential rock albums of all time. With sales passing 12 million copies, Led Zeppelin II is a showcase of the band’s evolving musical style, fusing blues-derived material with the now classic hard rock guitar riffs to create Led Zeppelin’s heaviest album.

This is the long awaited follow-up to The Devil And The Almighty Blues' highly acclaimed self-titled debut album, and these guys have not gone astray! The album 'II' gives a peep through the pinhole at a band's honest, dark and pure expression, drawing influences from the original delta blues via the electrical revolution in the late sixties/ early seventies, to the more contemporary desert scene.