For a truly haunted high-lonesome sound, the duo of Ralph and Carter Stanley stands alone in bluegrass. This collection features their earliest recordings, beginning in 1947 for the Rich-R-Tone label, and presents the duo at their rawest and most unbridled. Of all the recordings that bluegrass trailblazers the Stanley Brothers made in their 20 years together, their early Rich-R-Tone cuts are some of the hardest to find-and most exciting. These are essential for any bluegrass collector: Little Maggie; The Jealous Lover; Our Darling's Gone; Death Is Only a Dream; Little Birdie; The Rambler's Blues; The Girl Behind the Bar , and more!
An unprecedented project in the rock field: a five-CD box set of unreleased material by a cult artist that never had anything close to a chart hit. Of course Captain Beefheart is the ultimate cult artist, and one with a following so rabid (if limited) that the compilation has a wider audience than many would anticipate. Despite the impressive chronological span and variety of demos, live performances, backing tracks, and outtakes, be cautioned that this is not a best-of or ad hoc career overview. A good deal of the tracks (some of which have long been available on bootleg) are of slightly substandard or low fidelity, and Beefheart's most significant work is ultimately contained on his numerous official releases.
An amazing package – one that's almost as essential to Albert Ayler's catalog as his classic albums on ESP from the 60s! The 9CD set is filled with rare material from Ayler – early recordings from Scandinavia, a smattering of American sides from the mid 60s, later work in France from the end of his life, and even a performance at John Coltrane's funeral! Other players include brother Don Ayler, trumpeter Don Cherry, pianist Cecil Tayler, and Burton Greene – and the package is filled with amazing sounds that really show Ayler's inventive approach to jazz. The box itself is beautiful – sculpted like some hand-carved treasure chest – and filled with 9CDS, plus a 208 page full-color hardcover book that features essays by Amiri Baraka and Val Wilmer, photos and memorabilia, and a chronology of Ayler's performances. Amazing stuff – and a true tribute to this legend!
The first ever overview of Sakamoto's film work approved by the artist. Performed by the Brussels Philharmonic and conducted by Dirk Brosse. Supported by the Film Fest Gent’s World Soundtrack Awards, Ryuichi Sakamoto Music For Film is the third release from the series and second on Silva Screen Records. Each year an eminent film music composer is invited to present their work during the annual World Soundtrack Awards Ceremony & Concert closing event. As part of the celebrations, Film Fest Gent and partner Brussels Philharmonic record a CD of their music in advance of the concert.
"Travesía" is an album of music by prolific composer, producer, and artist Ryuichi Sakamoto curated by five-time Academy Award-winning filmmaker Alejandro González Iñárritu. The compilation album features twenty tracks handpicked by Iñárritu, who famously collaborated with Sakamoto on his Best Picture-winning film, The Revenant. Taking it's name from the Spanish term for "journey," Travesía spans nearly four decades of Sakamoto's solo work and scores, with Iñárritu taking listeners on a one-of-a-kind trip through the iconic musician's career Travesía is the result of six months' work by Iñárritu, who listened to over a thousand pieces by Sakamoto in order to curate the album's 20-song tracklist. Focusing primarily on the musician's solo work, Iñárritu deliberately chose some of Sakamoto's lesser-known tracks in an attempt to appeal to both frequent listeners as well as a new generation of fans.
A comprehensive collection of Sakamoto’s instrumental songs and film music from a master of Minimalist piano. Famed worldwide as a film composer, Ryiuchi Sakamoto began his career as a pianist, creating patterns, phrases and innovative arrangements before joining his first commercial electronic pop band in 1978, the Yellow Magic Orchestra. Around the same time, he worked on his first solo album, the Thousand Knives of Ryuichi Sakamoto (1978), which blends up-to-date electronic techniques with an old-fashioned gift for good tunes. Riot in Lagos brought him fame beyond Japan, and he went on to work with many top producers of pop, dance and electro.