In 1978 Cecil Taylor not only formed a band, he took it into the recording studio (something he hadn’t done since Conquistador!, a dozen years earlier) and on a European tour. The Cecil Taylor Unit of spring and summer 1978 is not only one of the pianist’s most vital ensembles, it’s also unique in its instrumentation, and its development of a collective identity makes it a rarity among his groups. Fans of Cecil Taylor's unrelenting music will certainly enjoy this exuberant work. This is the best-recorded performance of the enlarged Cecil Taylor Unit at its creative and most unified peak.
"One Too Many Salty Swift And Not Goodbye" is one Cecil Taylor's best albums, and a personal favorite. Recorded live in Germany in 1978, the original vinyl release was awarded the 1981 Record of the Year in the Down Beat Critics Poll. This album features one of the great editions of the Cecil Taylor Unit – Jimmy Lyons on alto sax, Raphe Malik on trumpet, Ramsey Ameen on violin, Sirone on bass and Ronald Shannon Jackson on drums. ~ Amazon Customer's Review
The Complete Remastered Recordings on Black Saint & Soul Note is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. A deep philological work, beginning with the original recordings on original master tapes, patiently integrally remastered paying strict attention to sound quality.
It is a well rehearsed story that some of the major innovators of modern jazz were, in the early 1960s, struggling to get recording contracts or gigs in America. This led players like Ornette Coleman, Albert Ayler and Cecil Taylor to try their hand across the Atlantic. These players found a particularly warm reception in Scandinavia, and live recordings from any of these in Sweden or Denmark are well worth looking out for. This nicely packaged reissue captures Taylor’s performances at Copenhagen’s Café Montmartre, with three bonus tracks recorded at Stockholm’s Golden Circle. For fans of Taylor, the material (with the exception of the bonus tracks which have not been previously released) will be familiar from the Live! At the Café Montmartre and Nefertiti: the beautiful one has come. This set comes with a booklet with the sleeve notes from these previous releases, featuring Erik Weidermann’s insightful comments on the performances and the developments of Taylor’s playing.