Chad Wakerman

With Where We Are, Chad Lawson draws inspiration from the conversations and shared vulnerabilities of countless individuals who have found solace in his music and podcast during their most challenging times. The album represents a journey from solitude to solidarity—from individual experiences to shared realities. These songs form a musical sanctuary, crafted to meet you wherever you are in life and offer a gentle reprieve. Where We Are is more than an album; it's a call to unite, heal, and inspire a sense of community through music.

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Chad & Jeremy - Sing For You (1965) {Ember–Air Mail Japan, AIRAC-1315, Paper Sleeve rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 237 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (jpg) -> 55 Mb | 5% repair rar
© 1965, 2007 Ember Records / Air Mail Recordings Japan | AIRAC-1315
Rock / Pop / Psychedelic / Baroque Pop / British Invasion

Generally relegated to footnote status, folk/rock duo (heavier on the folk) Chad & Jeremy nonetheless managed a certain level of influence among a group of navel-gazing sensitive types who couldn’t totally commit to either the Beatles or Stones camps. And yet they still managed to make something of a splash riding the crest of a wave that was the British Invasion. At a time when it seemed every artist was copping the sound of the Beatles and/or Stones, Chad & Jeremy remained (relatively) committed to their folk origins. The trouble with this was their particular brand of folk was slowly falling out of favor following the arrival of Bob Dylan.

Chad Wackerman - Dreams, Nightmares and Improvisations (2012) {Chad Wackerman CWCD-5}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 356 Mb | MP3 @320 -> 127 Mb
Full Artwork @ 600 dpi (jpg) -> 58 Mb | 5% repair rar
© 2012 Chad Wackerman | CWCD-5
Jazz / Fusion / Drums

A former member of Frank Zappa’s touring band and longstanding member of guitar hero Allan Holdsworth’s trio, power-precision drummer Chad Wackerman is also an accomplished composer with five albums as a leader to his credit. His latest features Holdsworth (his third time playing sideman to Wackerman), along with the guitarist’s longtime bassist, Jimmy Johnson. The three exhibit their usual uncanny chemistry on a number of Wackerman’s harmonically advanced, prog-rock-meets-jazz originals.

Chad & Jeremy - Of Cabbages And Kings (1967) {Columbia–Sony Music Japan, MHCP-978 rel 2006, Cardboard Sleeve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 364 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1967, 2006 Columbia / Sony Music Japan | MHCP-978
Rock / Pop / Psychedelic / Baroque Pop / British Invasion

Andy Shernoff of the Dictators once wrote a song called "Who Will Save Rock and Roll?," which featured the memorable verse "June first, '67/Something died and went to heaven/I wish Sgt. Pepper never taught the band to play." Maybe Shernoff was going a bit far to make a point, but the unfortunate truth is that once the Beatles released their magnum opus, it would be many years before an album that was simply a collection of great songs would seem to be enough in the eyes of the rock cognoscenti. Seemingly every act of any significance during the late '60s made a high-gloss concept album, and Chad & Jeremy were no exception; while they had a sure knack for smart and subtle folk-influenced pop with outstanding harmonies, the times demanded more of them, and in 1967 they released their response to the Sgt. Pepper's phenomenon, Of Cabbages and Kings.

Chad & Jeremy - The Ark (1968) {Columbia–Sony Music Japan, MHCP-979 rel 2006, Cardboard Sleeve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 332 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1968, 2006 Columbia / Sony Music Japan | MHCP-979
Rock / Pop / Psychedelic / Baroque Pop / British Invasion

While The Ark contained nothing quite as elaborate as "The Progress Suite" that had taken up one whole side of Of Cabbages and Kings, it was another psychedelic mishmash of styles – Indian one minute, musichall the next – of a kind so many popular performers had been indulging in at the time in hopes of making the next Sgt. Pepper. The difference was that most of Chad & Jeremy's peers had gotten it out of their systems the year before. But C&J were upper-class types who took naturally to the pretensions of the form – they thought they were making Art. Their listeners thought differently: The Ark missed the charts, and Chad & Jeremy broke up.