Park Chan-wook’s Oldboy (2003) is one of the most popular and iconic of Korean films of the 2000s. A sensational and provocative piece of Asian extreme cinema, the film also has a superb score by Jo Yeong-wook, a regular composer for a number of Park’s works. Jo’s original score is rather eclectic in style - a mix of classical waltzes and modern electronica. Several tracks such as ‘Out of the Past’, ‘Dressed to Kill’, and ‘Frantic’ are inspired by the minimalist music of Philip Glass. There’s an unsettling quality to the music, particularly when it is haunted by the listener’s memory of the picture. Those who haven’t seen the film are likely to appreciate most of the tracks on offer here - the album is highly listenable and any fan of movie scores will dig this.
Park Chan-wook’s Oldboy (2003) is one of the most popular and iconic of Korean films of the 2000s. A sensational and provocative piece of Asian extreme cinema, the film also has a superb score by Jo Yeong-wook, a regular composer for a number of Park’s works. Jo’s original score is rather eclectic in style - a mix of classical waltzes and modern electronica. Several tracks such as ‘Out of the Past’, ‘Dressed to Kill’, and ‘Frantic’ are inspired by the minimalist music of Philip Glass. There’s an unsettling quality to the music, particularly when it is haunted by the listener’s memory of the picture. Those who haven’t seen the film are likely to appreciate most of the tracks on offer here - the album is highly listenable and any fan of movie scores will dig this.