Charles Lane

The RTÉ Vanbrugh Quartet, with the support of Garth Knox (viola) and Piers Lane (piano), continue their excellent survey of Stanford’s neglected chamber works with this recording of his String Quintet No 1 and Piano Quintet. Growing up in his native Dublin in the 1850s and ’60s, Stanford was no stranger to high-quality chamber music, even if visits to Ireland’s capital by pre-eminent executants of the genre were sporadic.

Parry was indebted to the grand Romantic tradition of the late nineteenth century, and his colourful and exuberant concerto probably lays claim to be the first British piece written in such a style worthy of comparison with contemporary continental models. It is a virtuoso work, extrovertly conceived for piano and undoubtedly written for the technical proficiency of Edward Dannreuther, one of the most important exponents of the grand concerto style in London during the 1870s and 1880s.

Silva Screen Records present earlier composers who were masters of music on Hitchcock films, and later films with Bernard Herrmann on the second CD. The "CONCERTO FOR ORCHESTRA" is Miklos Rozsa's haunting theme which lasts over nine minutes is something from heaven. "STRANGERS ON THE TRAIN" the Dimitri Tiomkin contribution is also an outstanding track which can move the unmoveable with the heart-racing pounding sounds that the two composers generate. Both composers Rozsa and Tiomkin have a list of accomplishments a mile long, but to hear their music on a Hitchcock film is pure geneious in film making and scoring.

Recorded direct to digital between 1989 and 1994 at Clinton Recording, NYC and Carriage House Studios, Stamford, CT .