Charlie Haden

Deep in the Blues is a fascinating jam session between James Cotton, guitarist Joe Louis Walker, and jazz bassist Charlie Haden. The trio runs through a number of classic blues songs written by Muddy Waters, Percy Mayfield, and Sonny Boy Williamson and a few originals by Walker and Cotton. The sound is intimate and raw, which is a welcome change from Cotton's usual overproduced records.

Charlie Haden - The Complete Remastered Recordings On Black Saint & Soul Note (2010) {5CD Set CAM Jazz BXS1001 rec 1977-1990}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.33 Gb | MP3 @320 -> 573 Mb
Full Artwork @ 600 dpi (png) -> 117 Mb | 5% repair rar
© 1977-90, 2010 CAM Jazz / Black Saint / Soul Note | BXS 1001
Jazz / Post Bop / Hard Bop / Bass

THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz.
This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered paying strict attention to the sound quality.

Charlie Haden - The Montreal Tapes (2009) {6CD Box Set Verve 530 999-6 rec 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.93 Gb | MP3 @320 -> 881 Mb
Full Artwork @ 600 dpi (jpg) -> 102 Mb | 5% repair rar
© 1989, 2009 Verve Records / Universal Music France | 530 999-6
Jazz / Post Bop / Bass

This box set contains everything released on Verve of the mini-festival of Charlie Haden's music recorded at a Montreal jazz festival in 1989. The music is uniformly excellent, and well-recorded. If you are a Charlie Haden fan, you'll enjoy it. Recording live of Charlie Haden's concerts at the 1989 Montreal International Jazz Festival. Each disc was initially published individually by Verve between 1994 and 2005.

It would seem a strange thing compiling the work of Charlie Haden's decade-long Quartet West Group onto a single disc. The reason isn't that they recorded so much material, but more because the material was themed record by record. Yet that is exactly why a compilation like this does work, because this group played music utilizing different aspects of the same theme: to evoke the spirits, ghosts and sprites of a Los Angeles that has moved off the screen of real life into the stuff of myth. That Haden and his group, which included drummer Larance Marable (who replaced Billy Higgins after the group's first, self-titled album in 1986), saxophonist Ernie Watts, and pianist Alan Broadbent could make it all sound so present and real, gives the impression that there was truth in the images. This is not only from a West Coast point of view (though there it is imbued more with the striking visual reveries to accompany the tunes) but also in the popular culture mythos in the collective American mind.

Beyond the Missouri Sky (Short Stories) is a jazz album by Charlie Haden and Pat Metheny, two musicians who come from Missouri. The album was released by Verve Records on February 25, 1997. At the 40th Grammy Awards, they were awarded (Haden's first and Metheny's tenth) the Grammy for Best Jazz Instrumental Performance.

Charlie Haden has a long-standing interest in Cuban music, first touched on with his Liberation Music Orchestra over 30 years ago. Nocturne expands on that affinity and on the bassist's relationship with Cuban piano virtuoso Gonzalo Rubalcaba, who introduced Haden to the tradition of the Cuban ballad, or bolero. The result is this very unusual mix of slow- to medium-tempo pieces, limpid, sometimes almost somber songs that are filled with yearning romanticism, wistful lyricism, and an inner light. NOCTURNE won the 2002 Grammy Award for Best Latin Jazz Album.