Charlie Parker Integrale

Charlie Parker - Intégrale Charlie Parker, Vol. 4, "Bird Of Paradise", 1947 (2012) {3CD Set Frémeaux & Associés FA1334}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 886 Mb | MP3 @320 -> 491 Mb
Full Artwork @ 600 dpi (jpg) -> 419 Mb | 5% repair rar
© 1947, 2012 Frémeaux & Associés | FA 1334
Jazz / Be Bop / Bop / Saxophone

The year 1947 was one of the most creative of Charlie Parker. This box presents in 70 tracks the legacy recorded during the second half of this fruitful year, the first session of Miles Davis under his name for the Savoy label on August 14, 1947 at the session for the label Dial on December 17, always with Miles Davis but this time under the name of Charlie Parker.

Charlie Parker - Integrale Charlie Parker, Vol. 5, "Parker's Mood", 1947-1949 (2012) {3CD Set Frémeaux & Associés FA1335}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 909 Mb | MP3 @320 -> 534 Mb
Full Artwork @ 600 dpi (jpg) -> 474 Mb | 5% repair rar
© 1947-49, 2012 Frémeaux & Associés | FA 1335
Jazz / Be Bop / Bop / Saxophone

Bird was like the sun, giving off the energy we drew from him… In any musical situation, his ideas just bounded out, and his inspired anyone who was around. The aim of 'The Complete Charlie Parker', compiled for Frémeaux & Associés by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.

Charlie Parker - Intégrale Charlie Parker, Vol. 6, "Passport", 1949 (2013) {3CD Set Frémeaux & Associés FA1336}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 900 Mb | MP3 @320 -> 515 Mb
Full Artwork @ 600 dpi (jpg) -> 407 Mb | 5% repair rar
© 1949, 2013 Frémeaux & Associés | FA 1336
Jazz / Bebop / Bop / Saxophone

You really have to be blind to all the evidence if you refuse to see that Parker’s calibre was at least as prodigious as that of the greatest musicians of earlier generations. -Boris Vian. The aim of 'The Complete Charlie Parker', compiled for Frémeaux & Associés by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.

Charlie Parker - Intégrale Charlie Parker, Vol. 7, "Just Friends", 1949-1950 (2014) {3CD Set Frémeaux & Associés FA1337}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 896 Mb | MP3 @320 -> 543 Mb
Full Artwork @ 600 dpi (jpg) -> 434 Mb | 5% repair rar
© 1949-50, 2014 Frémeaux & Associés | FA 1337
Jazz / Bebop / Bop / Saxophone

Charlie Parker did all the things I would like to do and more – he really had a genius, see. He could do things and he could do them melodiously so that anybody, the man in the street, could hear – that’s what I haven’t reached, that’s what I’d like to reach. -John COLTRANE. The aim of 'The Complete Charlie Parker', compiled for Frémeaux & Associés by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.

Charlie Parker - Intégrale Charlie Parker, Vol. 3, "Lover Man", 1946-1947 (2011) {3CD Set Frémeaux & Associés FA1333}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 600 Mb | MP3 @320 -> 401 Mb
Full Artwork @ 600 dpi (jpg) -> 320 Mb | 5% repair rar
© 1946-47, 2011 Frémeaux & Associés | FA 1333
Jazz / BeBop / Bop / Saxophone

When Bird left New York he was a king, but out in Los Angeles he was just another broke, weird, drunken nigger playing some strange music. "Los Angeles is a city built on celebrating stars and Bird didn’t look like no star". -Miles Davis. The aim of 'The Complete Charlie Parker', compiled for Frémeaux & Associés by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.

Charlie Parker - Intégrale Charlie Parker, Vol. 1, "Groovin' High", 1940-1945 (2010) {3CD Set Frémeaux & Associés FA1331}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 517 Mb | MP3 @320 -> 405 Mb
Full Artwork @ 600 dpi (jpg) -> 398 Mb | 5% repair rar
© 1940-45, 2010 Frémeaux & Associés | FA 1331
Jazz / BeBop / Bop / Saxophone

Charlie ‘Yarbird’ Parker should need no introduction; recognised as one of the twentieth century’s true musical greats, he revolutionised saxophone playing in the forties. The recordings on these three CDs capture him in the very act, and additionally present jazz at a crucial time, when swing was shortly to give way to bebop, and when the blues could be played with a big band before r&b took over. Many of the recordings here were not made commercially - some are from radio broadcasts, some were made in concert, and a few, such as the fascinating opener, just Bird and his sax tackling ‘Honeysuckle Rose’ and ‘Body And Soul’, were never intended to be heard outside of the immediate circle.

Charlie Parker - Intégrale Charlie Parker, Vol. 2, "Now's The Time", 1945-1946 (2011) {3CD Set Frémeaux & Associés FA1332}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 829 Mb | MP3 @320 -> 491 Mb
Full Artwork @ 600 dpi (jpg) -> 295 Mb | 5% repair rar
© 1945-46, 2011 Frémeaux & Associés | FA 1332
Jazz / BeBop / Bop / Saxophone

The Frémeaux label have done an admirable job of compiling the complete chronological recordings of major artists such as Django Reinhardt, Louis Armstrong and Mahalia Jackson. Now they turn their attention to Charlie Parker. This three CD set covers an exciting period when Parker and fellow bebop pioneer Dizzy Gillespie were shaking up the jazz world, not just at gigs but with widely distributed 78s. Most of the tracks, recorded in New York and Los Angeles, feature both men, in the studio and on radio broadcasts. A young Miles Davis also makes an appearance.