Cheese mo

Keb' Mo's self-titled debut is an edgy, ambitious collection of gritty country blues. Keb' Mo' pushes into new directions, trying to incorporate some of the sensibilites of the slacker revolution without losing touch of the tradition that makes the blues the breathing, vital art form it is. His attempts aren't always successful, but his gutsy guitar playing and impassioned vocals, as well as his surprisingly accomplished songwriting, make Keb' Mo' a debut to cherish.

"Gimme The Boots" proves once again that Berlin quartet Mo’ Blow has successfully perfected a hybrid of sounds of the 1970s and the contemporary. The whole album originates from the band's own machine, including the compositions for all 12 tracks and the distinctive sound the quartet has developed over a decade of playing together. A musical energy is captured here that has made the group famous for those 10 years, in hundreds of concerts both in Germany and abroad.

Keb' Mo's 1995 Grammy-winning eponymous debut firmly lodged the Los Angeles-born singer-guitarist in the contemporary blues pantheon. His sophomore effort, Just Like You, is slick in comparison to the virtuosic, bare-bones Keb' Mo', but it's nevertheless an irresistible and accomplished album. While songs such as "Perpetual Blues Machine" and "You Can Love Yourself" are classic Mo', with their canny lyrics and facile slide and acoustic guitar licks, the sapfest "Just Like You" (with guests Bonnie Raitt and Jackson Browne) and the clichéd "The Action" are hard to stomach. Toward the end of the disc, however, the gospel-laced "Hand It Over" and folksy "Momma, Where's My Daddy" restore the faith, displaying once again Mo's marvelous talent for wrenching the heartstrings with simply his voice and soulful steel-guitar manipulations.

Singer-guitarist Kevin Moore, known by his slangy abbreviation Keb' Mo', has already enjoyed commercial success. He's cut radio hits like "I Was Wrong", toured with Bonnie Raitt, and won Grammys for his last two albums. Yet this time, Moore's truly nailed his blues-pop ambitions with a warm mix of sonics and songcraft. The Door wraps spare arrangements around Moore's bone-deep slide guitar and the slow-granite foundation of drummer Jim Keltner and bassist Reggie McBride. They catch the spirit of the music's simple country roots, but spin savvy moves like updating Elmore James's "It Hurts Me Too" with a hip-hop groove that flies. Moore has also penned wise, sweetly emotional lyrics. He weaves themes like class-consciousness (the star-crossed love ode "Anyway") and poverty of the spirit ("Change") into heart-tugging ballads colored by the chocolate-y Mississippi moan of his voice. Add in flourishes of electric jazz guitar and some nasty rock tones, and this tallies up as his most ambitious, balanced album.

TajMo marks a timely convergence of the talents of two unique American artists who've already built iconoclastic individual legacies that have extended and expanded blues traditions into adventurous new territory. The collaboration brings out the best in both artists, with the pair merging their distinctive voices, personalities and guitar styles to create vibrant, immediate music that's firmly rooted in tradition yet ruled by a playful sense of adventure. The album features guest appearances by Sheila E., Joe Walsh, Lizz Wright and Bonnie Raitt, who lends her voice to a distinctive cover of John Mayer's anthemic 'Waiting on the World to Change'.

Motordrome is the third album by Danish singer and songwriter MØ, released on 28 January 2022 through Columbia Records. It was announced alongside the release of the singles "Brad Pitt" and "Goosebumps" on 12 November 2021, and also includes the singles "Live to Survive" and "Kindness". MØ will tour Europe and North America from February 2022 in support of the album.

America's loudest lounge singer Richard Cheese performs swingin' Vegas versions of Rock and Rap songs, "swankifying" popular Top 40 hits into Retro Vocal standards. Imagine Sinatra singing Radiohead, and you've got Richard Cheese & Lounge Against The Machine… Since 2000, Cheese has released 15 albums and sold more than 200 CDs.

Discover Johanna Domotor's newly interpreted sound combination, in which flute and string orchestra merge musically. The flutist Johanna Domotor not only shines in dizzying passages, she also juggles virtuously between original works and arrangements, between arranged baroque music and early modern music. The album captures the diversity of 20th century music and presents three world premiere recordings of famous composers such as Shostakovich, Arnold and Stravinsky. The collaboration with the Stuttgart Chamber Orchestra enhances the auditory experience, as Johanna Domotor and the Stuttgart Chamber Orchestra also make their long-standing musical friendship audible outside the concert hall with this album.

Discover Johanna Domotor's newly interpreted sound combination, in which flute and string orchestra merge musically. The flutist Johanna Domotor not only shines in dizzying passages, she also juggles virtuously between original works and arrangements, between arranged baroque music and early modern music. The album captures the diversity of 20th century music and presents three world premiere recordings of famous composers such as Shostakovich, Arnold and Stravinsky. The collaboration with the Stuttgart Chamber Orchestra enhances the auditory experience, as Johanna Domotor and the Stuttgart Chamber Orchestra also make their long-standing musical friendship audible outside the concert hall with this album.

Discover Johanna Domotor's newly interpreted sound combination, in which flute and string orchestra merge musically. The flutist Johanna Domotor not only shines in dizzying passages, she also juggles virtuously between original works and arrangements, between arranged baroque music and early modern music. The album captures the diversity of 20th century music and presents three world premiere recordings of famous composers such as Shostakovich, Arnold and Stravinsky. The collaboration with the Stuttgart Chamber Orchestra enhances the auditory experience, as Johanna Domotor and the Stuttgart Chamber Orchestra also make their long-standing musical friendship audible outside the concert hall with this album.