Chick Corea Delphi

Chick Corea's Elektric Band II found bassist John Patitucci, drummer Dave Weckl and guitarist Frank Gambale going out on their own and being replaced by Jimmy Earl, Gary Novak and Mike Miller. Saxophonist Eric Marienthal was the only sideman from the first Elektric Band to stick with Corea. Although the new members are not as distinctive as their predecessors, the high-quality material played on this release (which includes Jimmy Heath's "CTA," "Blue Miles" and a variety of Corea originals) is very jazz-oriented and occasionally there are straightahead sections. This set is recommended even to listeners who have not yet acquired a taste for fusion.

This may not be the ultimate Chick Corea collection, but fans aren't likely to find a better one on video anytime soon. A near-complete portrait of the legendary pianist's non-fusion career is captured on the 10-DVD Rendezvous In New York boxed set, featuring performances from his three-week run of reunion concerts at the New York's Blue Note in 2003 to celebrate his 60th birthday. Those craving more after hearing the Grammy-nominated double-CD released that year under the same name will find the extended material equally satisfying. It also stands commendably on its own as a showcase for some of the most talented musicians from the past 25 years including Bobby McFerrin, Roy Haynes, Gary Burton, Joshua Redman, Christian McBride, Michael Brecker, Steve Gadd and John Patitucci.

The latest addition to Chick Corea’s remarkable discography, Plays is a captivating, intimate double album. Showcasing his charming rapport with enthusiastic audiences in these spirited renditions, he’s in good company throughout, engaging with a list of icons represents a wide swath of musical history, from the classical repertoire of Mozart and Chopin to jazz influences like Bill Evans and modern pop sensibility of Stevie Wonder. Several pieces are reprisals or spontaneously improvised.

2013's Trilogy showcased the engaging collaboration between pianist Chick Corea, bassist Christian McBride and drummer Brian Blade. Virtuoso leaders in their own right, Corea, McBride, and Blade found common ground as a trio, exploring a mix of sophisticated standards as well as originals culled from Corea's extensive book. The album cracked the Top Ten of the Billboard Jazz Albums chart and earned two Grammys, including for Best Jazz Instrumental Album. The super-trio's follow-up, 2018's Trilogy 2, features further in-concert performances captured during their various tours between 2010 and 2016 in places like Ottawa, Bologna, Zurich, and St. Louis…

Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists).

This is also known as Piano Greats (according to Amazon). the album consists of three sides by Corea (featuring Hubert Laws, Woody Shaw , Bennie Maupin , Dave Holland , Jack DeJohnette , and …), and three sides by Mike Longo – to provide, according to the sleeve notes, "a brief rest between the more demanding works composed by Chick Corea".

This post-Return to Forever Chick Corea LP is a bit of a mixed bag. Corea is heard on his many keyboards during an atmospheric "The Woods," interacts with a string section on "Tweedle Dee," features a larger band plus singer Gayle Moran on a few other songs and even welcomes fellow keyboardist Herbie Hancock for the "Mad Hatter Rhapsody." The most interesting selection, a quartet rendition of "Humpty Dumpty" with tenorman Joe Farrell set the stage for his next project, Friends. Overall, this is an interesting and generally enjoyable release.

Chick Corea may have formed a new band, but still has ghosts from the Return to Forever reunion on his mind. Just check out the cover of The Vigil (named for this group) with its obviously L. Ron-inspired theme and track list ("Galaxy 32 Star 4"?). What year is this? That's not to make light of the music. Corea's international ensemble includes drummer Marcus Gilmore, French bassist Hadrien Feraud, Britain's Tim Garland on reeds and winds, and guitarist Charles Altura.

Aside from being legendary multiple Grammy-winning jazzmen on very different instruments, Chick Corea (piano) and Béla Fleck (the world's premier jazz banjo master) have a shared love for collaboration and the infinite improvisational possibilities their chosen idiom offers them. In some ways, the two have been preparing for this masterful, musical dialogue-driven masterpiece for over ten years. Fleck, who has always credited Corea as being one of his chief influences, invited the pianist to play on the Flecktones' Tales from the Acoustic Planet, as well as the group's live CD Live Art. Some years later, in 2001, Corea found a spot for Fleck on his Rendezvous in New York DVD.

A key figure in the development of jazz's new direction in the late '60s and '70s (thanks in large part to his contributions to Miles Davis' pioneering fusion work), Chick Corea has since become one of the most influential musicians of the genre. The tracks on EARLY DAYS were recorded in 1969. Around the same time, the Davis Quintet was recording the epochal IN A SILENT WAY and BITCHES BREW. The material here, featuring sidemen Woody Shaw, Jack De Johnette, and Bennie Maupin, explores similarly abstract rhythmic excursions that favor texture and atmosphere over conventional song structure.