Childhood's End

After the album-tour-album cycle of Script for a Jester's Tear, Fugazi, and the subsequent Euro-only release of Real to Reel, Marillion retreated to Berlin's Hansa Ton Studios with Rolling Stones producer Chris Kimsey to work on their next opus. Armed with a handful of lyrics born out of a self-confessed acid trip, Fish came up with the elaborate concept for 1985's Misplaced Childhood. Touching upon his early childhood experiences and his inability to deal with a slew of bad breakups exacerbated by a never-ending series of rock star-type "indulgences," Misplaced Childhood would prove to be not only the band's most accomplished release to date, but also its most streamlined. Initial record company skepticism over the band's decision to forge ahead with a '70s-style prog rock opus split into two halves (sides one and two) quickly evaporated as Marillion delivered its two most commercial singles ever: "Kayleigh" and "Lavender." With its lush production and punchy mix, the album went on to become the band's greatest commercial triumph, especially in Europe where they would rise from theater attraction to bona fide stadium royalty.

In February 2022 Van der Graaf Generator embarked on a UK tour which had been rescheduled several times due to the Covid pandemic. The final show on these dates took place at The Forum in Bath on March 1st and the event was captured by a film and recording crew.
‘The Bath Forum Concert’ is the first live CD and film fully controlled by the band and it captures Peter Hammill, Hugh Banton and Guy Evans at their finest performing vintage tracks such as ‘Masks’, ‘Childlike Faith In Childhoods End’, ‘La Rossa’, ‘Man Erg’ and ‘House With No Door’ along with newer pieces such as ‘Interference Patterns’, ‘Every Bloody Emperor’, ‘Go’, ‘Alfa Berlina’ and ‘Room 1210’.