This CD is possibly my favorite of all which I own. Kissin's technical prowess rivals that of pianists twice his age, yet it is neither age nor technique that sets him apart from his peers, but his unmatched sensitivity and insight. This is musicianship of the very highest caliber. Kissin has a special affinity for Chopin. His very natural touch and "declamation" sound like what one must imagine Chopin, himself, must have played.
The present release is Ivo Pogorelich’s first full Chopin studio recording in over 20 years. The legendary pianist Ivo Pogorelich has marked the classical music scene of our time. His unique musical talent and innovative approach have placed him among the most original music minds of today. Pogorelich’s adventurous spirit, valued for the lucidity in his discovery of new capacities of musical expression, is cloaked in pianism of the highest aesthetic value, inimitable virtuosity and technical mastery. His evocative interpretations, shaped by a refined music taste, the likes of which are rare in our time, have broadened the horizons and understanding of piano literature by setting new standards for pianistic interpretation.
Warner Classics and Askonas Holt are proud to announce the signing of 20-year old American pianist, Eric Lu, winner and Dame Fanny Waterman Gold Medallist at the prestigious Leeds International Piano Competition 2018. As part of this year’s coveted prize the winner receives worldwide management with Askonas Holt – one of the world's leading arts management agencies, and an international album release on Warner Classics – one of the foremost global classical music recording companies.
This CD has been released in memory of Tatiana Shebanova, who died not long after these recordings were made. It shows the exceptional relationship which she had with the historic Erard piano heard here. She fell in love with the instrument the very first time she played it.
Aimi Kobayashi is a leading young Japanese pianist, one of the ten finalists at the Chopin Competition in 2015. Born in Yamaguchi, Japan, on 23 September 1995, Aimi began her piano studies aged three, and made her first appearance with orchestra at the age of seven, followed by her international debut two years later. Since then, Aimi has appeared at the Carnegie Hall in New York no less than four times. Her international career continues to flourish: she was invited by various venues in Moscow, Poland and Brazil, amongst others.
This is one of those few "absolutely perfect" works of art or nature one comes across in one's liftime. It's like Michelangelo's "David" or the best moonrise you've ever seen over a desert mountain. It's shocking, it's so good. It will leave you overwhelmed. I've never heard any other recording of Chopin come anywhere close to being as magic as this. Anyone who can do this kind of sorcery, if only once, should be showered with garlands and their name should be praised for centuries.
When Pogorelich did not make the finals of the 1980 Warsaw Competition (where they play exclusively Chopin), his response was to sign with Deutsche Grammophon for his first recording and he made it an all-Chopin affair. From his stunning opening take on Chopin's Sonata #2, to a Funeral March restored to its grandeur, to the breaktaking final moments of the Scherzo #3, Pogorelich announced to the music world that he'd arrived.