Guitarist, composer and producer, Thomas Naïm began playing the guitar at the age of 12. Influenced first by Rock, he then became interested in many musical currents: Funk, Brazilian music, Reggae or electronic music and finally became passionate about Jazz.
On November 13, 2020, Thomas Naïm's new jazz/blues trio opus, "SOUNDS OF JIMI" (Rootless Blues/L'autre Distribution) has been released. This is an important event for Thomas cause it’s an album that pays tribute to a musician that had a great impact on him, the American guitarist Jimi Hendrix. This album also benefits from special guests Hugh Coltman, Erik Truffaz, Célia Kameni and Camille Bazbaz.
Pourquoi Rachmaninoff est-il devenu une légende? Comment a-t-il pu symboliser la perfection technique pour des générations entières de pianistes? Façade roucoulante d'une carrière médiatique au cours de sa vie américaine ? Intime personnalité développée de sa Russie natale?
“Salon music” became a thing in 19th-century Europe, dominated by piano works, for the obvious reason that the piano was the dominant piece of furniture in the salons of those wealthy and/or privileged enough to even have such a thing as a “salon”. But the violin wasn’t far behind as an instrument of choice–after the voice, at least in part because its tone and potential for sensuality and charm, along with impressive virtuosity and emotional expression (features important to and expected by those who attended these salon gatherings) was equal to the voice, and even greater in range and–in the hands and fingers of a capable player–in its ability to dazzle with technical feats.
Known as the ‘First Lady of the organ’, Marie-Claire Alain was a strikingly mature, creative and intuitive artist. Spanning four centuries of music, from Baroque masterpieces by the likes of Couperin and Grigny, through cornerstones of the French organ repertoire by Widor, Vierne and Messiaen, to two discs of works by her brother Jehan, this collection is testament to her vast and impressively wide-ranging recording legacy.