Claire Diterzi Propagande

Quiet “ambient” radical, claire rousay sifts her sensurreal style into a sublime and keenly awaited long player that carefully frays the fabric of time and space for Shelter Press. Gorgeous sounds that fall thru the cracks between Rachel’s, Mary Lattimore, Hiroshi Yoshimura, Machinefabriek, Oliver Coates and Julianna Barwick.

The history of jazz and blues is full of talented artists who were obscure but didn't deserve to be. One example is Claire Austin, an expressive jazz/blues vocalist who was as proficient with intimate, introspective torch singing as she was with more extroverted classic blues. Claire Austin Sings When Your Lover Has Gone was recorded for Contemporary in 1955 and 1956, and finds Austin favoring vulnerable, relaxed, subtle torch singing (her phrasing could be described as an appealing combination of Mildred Bailey, Peggy Lee, and Billie Holiday). As a torch singer, she embraces the songbooks of great pop composers like Harold Arlen, Cole Porter, and the Gershwin Brothers.

The young American pianist Claire Huangci, winner of the first prize and the Mozart prize at the 2018 Geza Anda Competition, continuously captivates audiences with her “radiant virtuosity, artistic sensitivity, keen interactive sense and subtle auditory dramaturgy” (Salzburger Nachrichten). With an irrepressible curiosity and penchant for unusual repertoire, she proves her versatility with a wide range in repertoire spanning from Bach and Scarlatti, to Bernstein, Gulda, and Corigliano.

One of Canada’s most sought-after flautists, Claire Guimond proudly introduces her version of Mozart’s four flute quartets. A most interesting mixture of dreamyness and humour is presented, on what is destined to become a truly important recording. An impeccably engineered product and extremely well performed – totally imbued by the warmth and softeness of Claire Guimond’s baroque flute which has become a real trademark for this outstanding performer.

A remarkably intimate recording of Schumann's Cello Concerto in A minor, this performance by Anne Gastinel and the Orchestre Philharmonique de Liège, directed by Louis Langrée, may be a little too forward for the average listener's comfort. Direct Stream Digital engineering places Gastinel front and center – almost in one's living room – and the orchestra is not far behind. Such "living presence" may be an audiophile's delight, but others may find the proximity disconcerting, especially because Gastinel's bowing seems overly resinous up close. However, this is the only complaint worth making about this disc, for Gastinel is wonderfully expressive and the orchestra is extraordinarily balanced and clear in its timbres, no mean achievement in Schumann's problematic, thick orchestration. The remaining performances are less forwardly recorded and sound pleasant and natural, with a fresh spontaneity that feels more like a recital than a studio session.

Marie Claire D'Ubaldo is an Argentine singer / musician and a prolific songwriter; she has appeared as a guest vocalist on many albums. She had her biggest success with "Falling Into You" which was covered by Celine Dion, who also named her album after the single.
Her biggest personal hit was "Rhythm Is Magic"; it went to number 1 in Italy for 5 weeks in the summer and was the 4th most air played single of the year, and was used in the soundtrack to the Italian film "Il Ciclone".