Claude Capelier

Widely regarded as the singer who fused the traditions of the French chanson with the energy and verve of American jazz, Claude Nougaro was born in Toulouse on September 9, 1929. The son of an opera singer and a piano teacher, he was raised largely by his grandparents, devouring not only classical music but also the homegrown pop of Charles Trenet and Edith Piaf, and the American swing of Louis Armstrong and Glenn Miller broadcast via Radio-Toulouse. Despite his love of the arts, Nougaro never learned to read music or play an instrument, and in 1947, he briefly worked as a journalist before serving a stint in the French Foreign Legion in Morocco.

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For 3 hommes a abattre directed by his long-time collaborator Jacques Deray, Claude Bolling composed one of his most ambitious works in cinema. For this modern urban thriller, he wrote a neo-classical score with serious and aching lyricism. A feeling of unease and threat dominates the score, which still allows for a few sentimental moments associated with the lead female character.

Quartet Records and Studio Canal present the CD release of Claude Bolling’s classy, masterful orchestral score for The Awakening (1980, directed by Mike Newell). Starring Charlton Heston and Susannah York, the film is about an archeologist who discovers his daughter is possessed by the spirit of an Egyptian monarch, Queen Kara. To save mankind he must destroy her.

Enrico Pieranunzi is certainly the only pianist of the music scene who can claim a double filiation jazz and classical. In addition to André Ceccarelli and Diego Imbert, he published in 2016 his album "ménage à trois" which illustrates the coexistence of his wife (classical music) and his mistress (Jazz). After the international success of "ménage à trois", it was therefore natural for Enrico Pieranunzi, surrounded by these same musical accomplices, to study the work of Claude Debussy on the occasion of the commemoration of the centenary of the disappearance.

Enrico Pieranunzi est certainement le seul pianiste de la scène musicale à pouvoir revendiquer une double filiation jazz et classique. Aux cotés de André Ceccarelli et de Diego Imbert, il publie en 2016 son album « ménage à trois » qui illustre la coexistence de sa femme (la musique classique) et de sa maîtresse (le Jazz).