Cleopatra Jones

The last recording of Hank Jones!
It is only fitting that jazz giant Hank Jones' last recording was made in Japan. The Japanese people loved him and he loved them back. He toured Japan numerous times and made many recordings for Japanese labels. This recording was made in Tokyo on February 24, less than three months before his passing on May 16, 2010.
Produced by Yasohachi "88" Itoh, who produced and released the first recording of the Great Jazz Trio with Jones, Ron Carter and Tony Williams back in 1975…

This opera was a personal triumph for Dame Janet. As Caesar, she arms the voice with an impregnable firmness, outgoing and adventurous. Valerie Masterson shares the honours with Dame Janet, a Cleopatra whose bright voice gains humanity through ordeal. The tinkle of surface- wear clears delightfully in her later arias, sung with a pure tone and high accomplishment. As a total production, Julius Caesar was an outstanding achievement in ENO's history. Strongly cast, it had a noble Cornelia in Sarah Walker, a high-spirited Sesto in Della Jones, and in James Bowman a Ptolemy whose only fault was that his voice lacked meanness of timbre appropriate to the odious character. John Tomlinson's massive bass also commands attention. Mackerras's conducting is impeccable and the opera is given in clear, creditable English.

Being soloist and band member, Steve Morse released so many albums. His works range from progressive rock Dixie Dregs, guitar shredder in his solo albums, up to as part of Deep Purple. With such range of musics, one still can easily distinguished Steve Morse licks, the bluesy chromatic passage that attached to his style. Surprisingly, in this new album, The Sessions, Steve Morse works with many other singers and sing some cover tunes. This album is not Steve Morse's typical instrumental guitar album. Well, a bit disappointing for guitar fans, but the album provide excellent standard hard rock album, that very bluesy, very American in vibes.

"Harlem Sessions" sounds like your favorite mix tape you made many years ago; the one that you keep playing over and over because it has all your favorite, desert-island songs. It's a groovilicious compilation of killer soul cuts from the 1970s, with blaxploitation films as the main theme. Of course, you can't realistically include EVERY great soul joint from the 1970s on two CDs, but this compilation does a great job trying. A collection of this nature has some of the usual cast of characters like Curtis Mayfield ("Superfly" and "Little Child Running Wild" from his must-have soundtrack to "Superfly") and Isaac Hayes ("Shaft"), but we also get unexpected nuggets from Cuban jazz legend Mongo Santamaria ("We Got Latin Soul"), Gil Scott-Heron's "The Bottle," Shirley Brown's sassy "Woman to Woman," Bob James' "Night Crawler," and Bootsy Collins' hugely influential and oft-sampled "I'd Rather Be With You." This collection gets it right in so many ways that's impossible to pass this winner up. All that's missing are the bell-bottoms and an Afro wig.