On Beautiful Broken, Heart decide to tread a path well worn by vintage rockers: revisiting their catalog. This is an exercise often fraught with peril. That said, while Ann and Nancy Wilson do stumble, they've learned from predecessors' mistakes. Seven of these ten cuts were previously recorded, but none are considered Heart standard…
''The Bad And The Beautiful'' marks the second installment of unique, intellectually stimulating and very emotional musical vignettes from saxophonist Håkon Kornstad and pianist Håvard Wiik, after Eight Tunes We Like (Moserobie, 2005).
The Peppermint Trolley Company sang the themes of both Love, American Style and the first season of The Brady Bunch. They once performed in front of an audience of 120,000. In addition, the band from Redlands, California recorded one of the most essential but sadly overlooked L.A. soft psych studio offerings ever. Reissued here for the first time ever is their glorious self-titled 1968 album, reminiscent of The Left Banke, The Association, and Buffalo Springfield.
Demon Music are releasing a new Suede compilation called Beautiful Ones: The Best of Suede 1992-2018 which will be available as a 4CD, 6LP vinyl and 2LPs packages.
From the return of Dan K. Brown – the bassist on all their classic efforts from Reach the Beach (1983) to Ink (1991) – to its George Underwood cover art (the painter whose work adorned Reach the Beach and Phantoms), Beautiful Friction is a return to form for the Fixx, the synth-pop-but-almost-prog-rock group who made socially aware angst fly up the charts in the '80s with "Red Skies," "One Thing Leads to Another," and "Saved by Zero." This reunion effort is without a surefire hit like those, and at first listen, it is a bit light on hooks, but lead single "Anyone Else" is strong enough to beckon any longtime fan's return, and the skeletal, funky workout called "Girl with No Ceiling" brings to mind the Phantoms era – kinetic in an "Are We Ourselves" style.
The second album of Grant Green's thorough jazz-funk makeover, Green Is Beautiful finds the guitarist growing more comfortable with harder, funkier R&B than he seemed on the softer-hued Carryin' On. The switch from Fender Rhodes electric piano back to the more traditional Hammond organ certainly helps give the session a little extra grit, but it doesn't return Green to the land of soul-jazz by any means. Green Is Beautiful is still explicitly commercial and accessible to non-jazz audiences, and (purist objections notwithstanding) that's not necessarily a bad thing.
Unique album that combines the different artistic characters of the band members in a very harmonic way. Melodic, powerful metal with a beautiful female voice will be lifted into a new dimension with this album of Beautiful Sin. "The Unexpected" is an excellent surprise! Highly recommended! Nowadays this band is history.