Coelho

Little known in the West and in the former USSR, the name of Weinberg, the third great Russian composer of the 20th century, after Prokofiev and Shostakovich, seems to be slowly emerging from the shadow of the latter, his protector and friend. Far from being an epigone, he is rather, by his temperament as a symphonist and the importance of his chamber music, the spiritual heir. This part of his vast catalogue, not written to put food on the table, includes 17 quartets, the most experimental body of his work along with his sonatas, those for cello, written with Rostropovich in mind, being henceforth consecrated.

Flores de Musica pera o instrumento de tecla & harpa is the only known work of Portugese composer Manuel Rodrigues Coelho. Printed in Lisbon in 1620 and boasting more than five hundred pages, Coelho’s Flores de Musica is one of the largest music works printed in the seventeenth century.