Collins Spanisj

Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop. He'd been wrestling with the idea of doing a solo record for years, finding great inspiration in the pain caused by an impending divorce and craving artistic independence after years of collaboration…

Edwyn Collins sounds more relaxed and assured than ever on Doctor Syntax, his fifth solo album. Responsible for virtually every single sound on the album, other than some treatments and programming from Sebastian Lewsley and drums by Paul Cook, Collins focuses all of his energy into crafting fascinating postmodern tunes. Though there's a lo-fi feel to the beats and samples and only a modest amount of texture added to the guitars, it's a remarkably lush and layered-sounding album. Indeed, it even brings to mind the quasi-medieval rumblings of Momus and the mystical frivolity of Baby Bird, without those artists' trademark lunacy. Themes of Beatles adulation, condemned ex-lovers, and introspective questioning fit nicely with Collins' moody, quirky vibes. Gone is the rage and noise of I'm Not Following You, and in its place is a focus on sometimes gentle melodies and emotions. "Splitting Up" might be the most beautiful song Collins has ever recorded, as tender guitars paint tone poems over beckonings of "I'm feeling down/I'm splitting up"; just when the song appears to be over, three minutes of even more personal soul-revelations drive it into the stratosphere.

Up until around 1900 the clarinet repertoire was dominated by music from the German-speaking lands, largely due to the influence of three outstanding clarinetists. Inspired by Anton Stadler, Heinrich Bärmann and Richard Mühlfeld respectively, Mozart, Weber and Brahms composed some of the finest clarinet works ever written.

This disc documents a 1997 Paris concert by former Genesis frontman Phil Collins. The disc contains a standard full-frame transfer. Closed-captioned English soundtracks are rendered in both Dolby Digital 5.0 and PCM Stereo…

After the one-two punch of Phil Collins' first two solo albums, Face Value and Hello, I Must Be Going!, plus the hits he was concurrently having with Genesis, it might seem like he was primed for an artistic and commercial drop-off. Instead, he responded with the biggest album of his career. No Jacket Required topped the charts in the U.S. and U.K., won a Grammy for Album of the Year, and spawned four Top Ten singles, including two number ones in "Sussudio" and "One More Night." It was such a monster success that it made Collins one of the biggest stars on the planet, something that a few years before seemed unlikely if not impossible…

Spawning four hit singles, But Seriously topped the charts on both sides of the Atlantic. While pursuing much of the same formula as on No Jacket Required, there was also a move toward more organic production as Collins abandoned some of the drum machines and prominent keyboards in the up-tempo numbers in favor of live instrumentation…