Colours in The Street Aux Etoiles

Si vous vous posez la question de savoir si le jazz a une identité, à l’heure où l’on entend des musiques où tout est mélangé, matinées de rock, de pop et de world avec l’ultime argument que vous assènent leurs défenseurs « on s’en fout si c’est du jazz ou pas ! », Laurent Fickelson lui, offre un démenti clair, net sans bavure : oui la jazz à une identité et je vais vous le démontrer.

I wrote 'Colours In The Dark' after an extended period of complete musical inactivity. Earlier in the year, I suffered with depression for the first time in my life, which really shook me. I've always battled with anxiety, but this was on a whole different level.

Voyager explode like a supernova onto the worldwide stage with their new album "Colours In The Sun". The Australians radiate an ultra-modern and prismatic hard rock that delivers on their promise of "epic electro progressive power pop metal." Each of the albums ten tracks are bright, vibrant hook-laden affairs that resonate long after listening. Voyager deliver the perfect storm of modern hard rock song craft, and "Colours In The Sun" is a vivid, uplifting, and exhilarating album experience.

Agricola was already considered one of the 'old masters' soon after his death in 1506. His works were approached with veneration and, already in the early 16th century, regarded as examples of good and demanding counterpoint. As a member of the first generation of genuinely instrumental composers, he wrote not only the masses, motets and chansons that were customary during this period, but also a large number of works without text that were obviously created for instruments by virtue of their construction. As a result, his musical rhetoric went considerably farther than his otherwise congenial colleagues Josquin Desprez and Heinrich Isaac, and he composed instru¬mental works that were far ahead of his time.