The D’Oyly Carte Company began its association with Decca after World War II, embarking on a series of recordings in the late 1940s and early 50s of the major Savoy Operas. A subsequent stereo-era cycle, begun in 1957, was followed in turn by a new series of which the present 1974 recording of Iolanthe is part of; in many respects, it is superior to its 1960 predecessor. Whereas the former set had used an ad-hoc orchestra, one of the glories of this remake is the contribution of the Royal Philharmonic Orchestra – immediately apparent from the atmospheric strings at the start of the overture (one of the few which Sullivan composed himself) and the brilliant woodwind playing in its fleet-footed dancing passages.
Wigmore Hall Live kicks off New Year with an early music release. Handel s Il Trionfo del Tempo e del Disinganno was the composer s first opera to feature the celebrated aria Lascia la spina, cogli la rosa (Avoid the thorn, pluck the rose). Recorded for Wigmore Hall Live in January 2010 by the Early Opera Company, one of Britain s leading early music ensembles, the group features contralto Hilary Summers in the traditional countertenor role of enlightenment, her voice specifically chosen for its depth and fullness of tone. Director and harpsichordist, Christian Curnyn, was determined to recreate as faithful a sound as possible to what audiences at the time would have heard, not only instrumentally but notably in relation to tempi: Everything in Handel comes back to the heartbeat rate, fifty per minute.