V.A. - Obsessions (1992). Erotic music. Bodies in harmony. Songs for making love. Sexy music. Dangerous. Touch, feel, smell, demand. Exploring the curves, following inner desires. Explosive and sensuous.
Dancing Fantasy, Software, G.E.N.E., Megabyte, Mind Over Matter and Peter Seiler.
The booklet contains erotic photographies of Gunter Blum!
V.A. - Rouge & Noir (1993). Erotic music. Bodies in harmony. Red and Black. Songs for making love. Sexy music. Dangerous. Touch, feel, smell, demand. Explosive and senseous. Exploring the curves, following inner desires. Unreleased and remixed erotic songs by: Software, Megabyte, Dancing Fantasy, TeeKay, Blue Knights, etc…
The Doobie Brothers had two distinct phases during their 1970s peak, evolving from boogie rockers with a penchant for mellow good vibes into a smooth blue-eyed soul outfit. Subsequent reunions and decades as a successful live attraction blurred the divide between the rambling "Black Water" and funky "What a Fool Believes," the band's two number one hits on Billboard. The Doobies racked up numerous other hits in both incarnations, songs that wound up as classic rock perennials. "Listen to the Music," "Long Train Runnin'," and "China Grove" were early-'70s hits all written and sung by Tom Johnston, the guitarist who was slowly replaced as frontman by Michael McDonald, a husky-voiced keyboardist who wrote and sang "Takin' It to the Streets," "It Keeps You Runnin'," and "Minute by Minute," along with "What a Fool Believes."
An Evening with the Allman Brothers Band: First Set is the thirteenth album by the rock group the Allman Brothers Band. It was recorded live in December 1991 and March 1992, and released in 1992. An Evening with the Allman Brothers Band: First Set was the first live Allman Brothers Band album, and the third overall, to feature Warren Haynes on guitar and Allen Woody on bass. Haynes and Woody had joined the group when it reformed in 1989.
Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album. But what ideas! Almost every one of Queen's signatures are already present, from Freddie Mercury's operatic harmonies to Brian May's rich, orchestral guitar overdubs and the suite-like structures of "Great King Rat." That rich, florid feel could be characterized as glam, but even in these early days that appellation didn't quite fit Queen, since they were at once too heavy and arty to be glam and – ironically enough, considering their legendary excess – they were hardly trashy enough to be glam.
The history of this album is as follows: In the mid-'80s, Enya recorded the soundtrack for a BBC television documentary called The Celts. The music was released on BBC Records in the U.K. in December 1986 under the title Enya. It was released initially in the U.S. on Atlantic Records in 1986. In November 1992, WEA Records in the U.K. issued a revised version of the album under the title The Celts, containing a newly rerecorded track, "Portrait (Out Of The Blue)."
Often described as a quintessential band in late 60's - early 70's Italian rock scene, this band from Sanremo gave birth to important bands such as Celeste and Museo Rosenbach. This band had a three year career, first as a four piece, then with the fifth member Leonardo Lagorio joining them in 1971, during this time they could not release anything, but some good recordings were finally issued for the first time in 1991 on the double LP Il Viaggio Senza Andata.
They were led by the keyboards of Floriano Roggero and by the sax and flute of the future member of Celeste Leonardo Lagorio. Classical influences are clear, especially in their good rendition of Mussorgsky's Una Notte Sul Monte Calvo, they also show some similarities with Museo Rosenbach…