Compintmarket 1992 Eec Suppl4 93

Tisaris, which means the bridge to quintessence is a progressive rock quintet (vocals, guitars, keyboards, bass and drums) from Brazil. Superb Progressive productions in the spirit of the Seventies, alterning long suites structured in several parts ("What's Beyond"), instrumental tracks and some short pieces in concept albums taken from an opera. Expressive vocals, inventive guitar and keyboards solos and rich and cast spelling compositions compose these excellent releases. CD "The Power of Myth", inspired on the book by Joseph Campbell, finishes the trilogy of concept albums. "An inevitable reference in the international progressive rock scene " (Harmonie Magazine - France), "… inspiration superbly materialized" (SRM - Germany), "… elegant, ambitious, daring." (Paperlate - Italy) are just a few reviews from the specialized press!

At the time Rare Masters was released in 1992, most of the selections on this 37-track double-disc compilation were indeed rare. They were issued on non-LP singles, B-sides, the Friends soundtrack, one-offs; some were buried on album tracks, and some even stayed in the vault. Since then, Elton John's catalog has been remastered and reissued, with much of the best of this material appearing as bonus tracks, but the album still was worthwhile, since it not only has some songs that never appeared elsewhere on disc (such as "Step Into Christmas"' B-side, "(Ho Ho Ho) Who'd Be a Turkey at Christmas"), but it also is a hell of a listen in its own right, showcasing great songs and forgotten gems from John's prime period.

This CD traces Jelly Roll Morton's period in New York, starting with his second record date in the Big Apple. A few of the sessions have Morton joined by an excess of musicians, with the results certainly being spirited, if bordering on getting out of control. "Tank Town Bump" and "Red Hot Pepper Stomp" are the best of these numbers. In addition, Morton is heard on four excellent piano solos (including "Seattle Hunch" and "Freakish"), leading a nucleus taken from the Luis Russell Orchestra on four other songs, and playing as a sideman with vaudevillian clarinetist Wilton Crawley's pickup band, sometimes to hilarious effect. One of the true jazz giants, every recording by Jelly Roll Morton is well worth acquiring in one form or another.

With her haunting solo debut Little Earthquakes, Tori Amos carved the template for the female singer/songwriter movement of the '90s. Amos' delicate, prog rock piano work and confessional, poetically quirky lyrics invited close emotional connection, giving her a fanatical cult following and setting the stage for the Lilith Fair legions. But Little Earthquakes is no mere style-setter or feminine stereotype – its intimacy is uncompromising, intense, and often far from comforting. Amos' musings on major personal issues – religion, relationships, gender, childhood – were just as likely to encompass rage, sarcasm, and defiant independence as pain or tenderness; sometimes, it all happened in the same song.

A two-disc anthology of Rod Stewart's early Mercury recordings, which, in conjunction with the albums he recorded with the Faces, are inarguably his finest (nothing from the Faces records is included). Most of the highlights of his terrific first four albums are here – "Maggie May," "You Wear It Well," "Handbags and Gladrags," "Gasoline Alley" – as well as selections from the lukewarm Smiler, a live album recorded with the Faces, and a couple of rare B-sides.

This CD traces Jelly Roll Morton's period in New York, starting with his second record date in the Big Apple. A few of the sessions have Morton joined by an excess of musicians, with the results certainly being spirited, if bordering on getting out of control. "Tank Town Bump" and "Red Hot Pepper Stomp" are the best of these numbers. In addition, Morton is heard on four excellent piano solos (including "Seattle Hunch" and "Freakish"), leading a nucleus taken from the Luis Russell Orchestra on four other songs, and playing as a sideman with vaudevillian clarinetist Wilton Crawley's pickup band, sometimes to hilarious effect. One of the true jazz giants, every recording by Jelly Roll Morton is well worth acquiring in one form or another.