Compintmarket 1992 Technical s3 94

First Harvest: The Best of Alphaville 1984-1992 collects 15 tracks from the Europop darlings, marking the first "real" Alphaville compilation to span the group's entire career (1988's barren Singles Collection featured only four tracks in various states of mixdown). Cut from the same cloth as Ultravox and early Depeche Mode, the band had better success in Germany than it did in the United States, but standout cuts such as "Big in Japan," "Forever Young," "Red Rose," and "Jerusalem" reside in the upper echelon of early-'80s synth pop.

Cesaria Evora was a Cape Verdean popular singer. Nicknamed the "Barefoot Diva" for performing without shoes, she was also known as the "Queen of Morna". A native of the island nation of Cape Verde, Cesaria Evora was known as the country's foremost practitioner of the morna, which is strongly associated with the islands and combines West African percussion with Portuguese fados, Brazilian modhinas, and British sea shanties. Evora began singing morna at age 16 after meeting an attractive young guitarist. Her talent soon had her performing all over the islands, and in the late '60s two of her radio tapes were released as albums in the Netherlands and Portugal, respectively.

The Zombies EP Collection, from the See for Miles label, contains the British Invasion bands biggest hits from 1964 through 1966, including "Tell Her No," "Time of the Season," and, in both mono and stereo, "She's Not There."…

The Move were the best and most important British group of the late '60s that never made a significant dent in the American market. Through the band's several phases (which were sometimes dictated more by image than musical direction), their chief asset was guitarist and songwriter Roy Wood, who combined a knack for Beatlesque pop with a peculiarly British, and occasionally morbid, sense of humor. On their final albums (with considerable input from Jeff Lynne), the band became artier and more ambitious, hinting at the orchestral rock that Wood and Lynne would devise for the Electric Light Orchestra. The Move, however, always placed more emphasis on the pop than the art, and never lost sight of their hardcore rock & roll roots. The Early Years is a twenty track collection covering most of the band's singles and B-sides from 1966 to 1970. While it falls short of the superior, though out-of-print, Best of the Move on A&M, it's the next best thing.

With her haunting solo debut Little Earthquakes, Tori Amos carved the template for the female singer/songwriter movement of the '90s. Amos' delicate, prog rock piano work and confessional, poetically quirky lyrics invited close emotional connection, giving her a fanatical cult following and setting the stage for the Lilith Fair legions. But Little Earthquakes is no mere style-setter or feminine stereotype – its intimacy is uncompromising, intense, and often far from comforting. Amos' musings on major personal issues – religion, relationships, gender, childhood – were just as likely to encompass rage, sarcasm, and defiant independence as pain or tenderness; sometimes, it all happened in the same song.

Adrenalize, Def Leppards fifth studio album from 1992 cemented the band as the dominant arena rock band. The album was recorded following the tragic death of guitarist Steve Clark - with Phil Collen recording all guitar parts - and dedicated to his memory. The album featured huge singles such as "Let's Get rocked" and "make Love Like a man" and debuted at no. 1 in both the UK and USA (and went on to sell over 7-million copies worldwide).
The Deluxe Edition features a remastered version of the original album with a bonus disc of rare, live, acoustic and demo versions.

At the time Rare Masters was released in 1992, most of the selections on this 37-track double-disc compilation were indeed rare. They were issued on non-LP singles, B-sides, the Friends soundtrack, one-offs; some were buried on album tracks, and some even stayed in the vault. Since then, Elton John's catalog has been remastered and reissued, with much of the best of this material appearing as bonus tracks, but the album still was worthwhile, since it not only has some songs that never appeared elsewhere on disc (such as "Step Into Christmas"' B-side, "(Ho Ho Ho) Who'd Be a Turkey at Christmas"), but it also is a hell of a listen in its own right, showcasing great songs and forgotten gems from John's prime period.

Sky 3 is the third album by English/Australian instrumental progressive rock band Sky, released in 1981. It reached number three in the British Albums chart. It was the first album recorded after Francis Monkman's departure from the group, with Steve Gray replacing him on keyboards.