Complete John Lenon Lost Tapes

John Carpenter returns with another collection of shlock soundtracks "for the movies in your mind." Kinda good though?

A 17-track career retrospective that not only spans the mid-'70s to the mid-'90s, but encompasses solo cuts and songs that John Waite recorded with the Babys in the '70s and Bad English in the '80s. For all that, it's remarkably inconsequential right-of-center mainstream commercial rock, whether he's playing guitar-based pop/rock with the Babys or doing the power ballad thing with Bad English. Includes his 1984 number one solo single "Missing You," the Bad English smashes "When I See You Smile" and "Price of Love," and several smaller hits.

Volker Kriegel - Lost Tapes: Mainz 1963-1969 (2013) {2CD Set Jazzhaus 101 726}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 707 Mb | MP3 @320 -> 326 Mb
Full Artwork @ 600 dpi (png) -> 463 Mb | 5% repair rar
© 1963-69, 2013 SWR / Jazzhaus | 101 726
Jazz / Bop / Cool / Guitar

The complete - and previously unheard - early work of a later celebrated jazz guitarist recorded in first-class audio quality and produced by SWF-Landesstudio Rheinland-Pfalz in Mainz, as it was then known. It is fascinating to discover the sources from which Volker Kriegel - just 19 years old at the time of the first session - derived inspiration for some of the best known jazz standards: John Lewis' Django, a relaxed Thelonious Monk (Rythm-A-Ning), Autumn Leaves, Norwegian Wood, and other down-tempo numbers of the bop and beat era before discovering his personal laid-back style.

The Modern Jazz Quartet - Germany 1956-1958. Lost Tapes (2013) {Jazzhaus}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 325 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 600 dpi (jpg) -> 34 Mb | 5% repair rar
© 2013 Jazzhaus / SWR Music | 101 731
Jazz / Cool / Third Stream / Bop

At the time of these recordings, John Lewis was still in the process of developing the unique concept of MJQ as a jazz chamber group, for which he often scored even the bass and drum parts. Every track of this pioneering early phase exemplifies how Lewis, to quote Andre Francis, turned four musicians into 'a sensitive instrument which vibrates in the same universe of sound, achieving a communion unique in the world of jazz.'

Esoteric Recordings are pleased to announce the first ever CD released of Trapped in Time, a collection of rare demos and recordings made in 1969 by the legendary band Cressida. The band would later sign to Vertigo records, recording two classic albums for the label. Trapped in Time reflects the very first recordings made by the band prior to signing to Vertigo and was previously released as 500 limited edition LP. Featuring a line-up of Angus Cullen (vocals), John Heyworth (guitar), Kevin Mccarthy (bass), Lol Coker (organ), Peter Jennings (organ on tracks 3,4 & 5) and Iain Clark (drums), this Esoteric Recordings release features two extra tracks not included on the original vinyl LP and a booklet that features a new essay and rare photographs and coincides with the band’s first ever performance in the United States in early October.

New York, March 1960. At 22, Monica Zetterlund is a starry eyed Swedish vocalist with Ella, Sarah and Billie on her mind. On her first New York visit, famous critic and sometime record producer Leonard Feather rents Bell Sound Studios on West 54th Street. An all-star cast including Thad Jones, Zoot Sims and Jimmy Jones is hired to accompany Monica's first attempt to conquer the US jazz world. And then the tapes are lost. 36 years later, they surface. 12 unreleased songs, heard only by a handful of people. 4 outtakes not familiar even to Monica. A not to be missed portrait of a masterful young performer.

When the studio of ever-groundbreaking Krautrock pioneers Can was sold to Germany's Rock n' Pop Museum, the entire space was disassembled and moved, and in the process, reels and reels of poorly marked and seemingly forgotten tapes were found buried amid other detritus in the studio. These tapes held over 30 hours of unreleased music from Can spanning a nine-year period and including work from both vocalists Malcolm Mooney and Damo Suzuki. Edited down to just over three hours, The Lost Tapes still includes an extensive amount of unheard studio, live, and soundtrack work from the band, and at its heights is as revelatory and brilliant as the best material on their well-loved albums…

I select a few tracks, what didn’t get that attention, or something happened that they didn’t release in the past. Finally, I’m so happy to release them without saying “these are old” because I produced them in a timeless way. I want to thank you guys for supporting me and follow my releases all those years. And for sure a big thanx to all people that I meet and had beautiful studio time and produced nice flows. Who I want to thank? Well, how snoop once said, I want to thank myself to being real in all those years and done all those with the real love to the music even how other acted. If you read to this, you are the one who now know that my mate Lee and I will go for a fancy spacy Atmo box next. A box of glory.