Concertgebouw Orkest Rimski Korsakov Scheherazade Krill

Sony Classical is proud to announce an unparalleled reissue of Pierre Monteux’s RCA Victor recordings. They are being issued together for the first time in a single original jacket collection of 40 CDs. Each and every recording in this new 40-CD set comes from the best source, including previous Living Stereo, SACD and XRCD reissues. Many others have been newly remastered from the original 78-rpm matrices or tapes.

Master and pupil? A youthful venture on the part of the composer of Scheherazade while naval officer, this symphony of Rimsky-Korsakov deploys fine rhetoric worthy of Haydn’s ‘military’ model incorporating contemporary material. His ‘cadet’ applies himself studiously - Stravinsky’s approach is more casual although the da capo appear in their entirety. A mere ad libitum experiment, his Scherzo fantastique is disappointingly lacking in metronomic rigour but not in inventivity. These two pieces appear together for the first time in over a century and are showcased with consummate skill.

Sony Classical is proud to announce an unparalleled reissue of Pierre Monteux’s RCA Victor recordings. They are being issued together for the first time in a single original jacket collection of 40 CDs.
Each and every recording in this new 40-CD set comes from the best source, including previous Living Stereo, SACD and XRCD reissues. Many others have been newly remastered from the original 78-rpm matrices or tapes.

His Tchaikovsky is often revelatory (none here, unfortunately), but all of that pales beside his quite extraordinary interpretation of Rimsky-Korsakov's Scheherazade. No other version I have heard so clearly captures the rich sonority of this score, and makes the contrast between the fury of the elements and the beguiling sensuousness of the prince and his princess so achingly apparent.

This unique collection, newly remastered from original Philips recordings, documents the work of Dutch conductor Eduard van Beinum in Baroque and Rococo repertoire. Thanks to his celebrated recordings of Romantic composers – many of them reissued on previous Eloquence releases – such as Berlioz (ELQ4825569), Brahms (ELQ4429788) and Bruckner (ELQ4807068), the conductor has a solid reputation as a classically unfussy, clear-sighted guide through the formal intricacies of large-scale symphonies. His score-driven approach and highly tuned ear for orchestral colour also made him a renowned conductor of Russians such as Tchaikovsky (ELQ4804849) and Rimsky-Korsakov as well as English composers including Elgar (ELQ4804249) and Britten (ELQ4802337).

Following up on the success of Sony Classical’s recent large-scale Ormandy collections – his monaural discographies with the Minneapolis Symphony and Philadelphia orchestras – the label now presents the conductor’s stereo recordings from Philadelphia containing all recordings released from 1958 to 1963 (plus some fillers from later years) Eugene Ormandy took over the music directorship in Philadelphia from Leopold Stokowski in 1938 and held the position for 42 years. During that time his name and the orchestra’s became inseparable as he cultivated and further developed the voluptuous sound that originated with his predecessor.