All the music on this release tells a story. From the sweeping, epic adventures of the One Thousand and One Nights in Rimsky-Korsakov’s Scheherazade to the simple beauty of daily family life in Strauss’s richly melodic Symphonia Domestica.
This 60 disc box set contains 60 original 'Living Stereo' recordings. This is the first time a comprehensive collection of these iconic recordings has been created. Each album comes complete with its original LP artwork. An extensive booklet is included with the liner notes from each original album. Includes recordings by such great artists as Jascha Heifetz, Charles Munch, Fritz Reiner, Julian Bream, Leontyne Price and Arthur Rubinstein.
Otto Ketting is one of the leading musical figures in the Netherlands. He is good at composing but he works as well as a teacher, conductor or musicologyst. Here you will find some of his early orchestral works written in his personal language. Enjoy!!
Scherchen recorded an unusually wide range of repertoire, from the baroque to the contemporary. His Mahler recordings, made before Mahler became a part of the standard repertoire, were especially influential; so too were his recordings of Bach and Handel, which helped pave the way for the period-performance practice movement.
One major popular composer of Romantic orchestral music whose work, outside of his ubiquitous symphonic suite Scheherazade, is not terribly over-recorded is Russia's Nikolay Rimsky-Korsakov. That, and a tendency toward what for him was an "orientalist" strain in harmonic practice and orchestration, makes Rimsky-Korsakov an ideal choice for the recordings on BIS of a relatively new ensemble, the Malaysian Philharmonic Orchestra, founded in 1997 by conductor Kees Bakels. It is a testament to the skill of Bakels as an orchestra builder that he has raised such a fine musical organization in just eight years. Rimsky-Korsakov: Capriccio Espagnol is intended as a follow-up to the Malaysian Philharmonic Orchestra's recording of Scheherazade, already issued, and as an added bonus, the great Japanese pianist Noriko Ogawa joins the orchestra as guest in Rimsky-Korsakov's all-too-seldom-heard Piano Concerto in C sharp minor, Op. 30. The music, recorded at the Dewan Filharmonik Petronas Hall in Kuala Lumpur, is both very well played and recorded. The Capriccio Espagnol gets off to a great start, with Bakels the orchestra is strongly sympathetic to the piece, though careful ears can pick out some raggedy ensemble in the last section. Ogawa alone is enough to make the Piano Concerto shine, and thankfully Bakels provides comfortable and gracious support to Ogawa's magisterial artistry.
Celibidache was without question one of the most important and original conductors in recent memory. He was a perfectionist who disliked what he perceived to be the synthetic sounds created in the modern recording studio, preferring the immediacy of the concert platform and the interaction with a live audience.