Few stars of the '60s reinvented themselves as successfully as Marianne Faithfull. Coaxed into a singing career by Rolling Stones manager Andrew Loog Oldham in 1964, she had a big hit in both Britain and the U.S. with her debut single, the Jagger/Richards composition "As Tears Go By" (which prefaced the Stones' own version by a full year)…
When the name Chopin is mentioned, what often comes to mind first are his Nocturnes and their dreamy qualities. Chopin, of course, wrote much more than that, and some of it is quite dramatic and intense. However, Daniel Barenboim seems to have missed getting that memo before recording Chopin's Preludes and the other works on this album. There is both drama and intensity in at least a few of the Preludes, often overdone, but not here. Those marked agitato, Nos. 1, 8, and 22, are placidly performed, with little impetus to them, while the "Polish Dance," No. 7, has no strength in it. No. 12 in G sharp minor has a little more energy, and No. 16 has a little more forcefulness, both coming closer than the other Preludes to living up to their potential.
The keyboard aficionados from all over the world know that Katia and Marielle Labeque are the most famous pianistic duo on the international concert stage now. They have reigned supreme in the territory of the two keyboards repertoire for some three decades and still seem inexhaustible in musical resources when conveying its marvels…
16 Horsepower's second release for Jetset is a collection meant to illustrate the Colorado band's stylistic trajectory since its 1992 inception. Included are 12 previously unreleased demos or alternate versions of 16HP that later appeared on wax; for example, the haunting, bandoneon-led "American Wheeze" (from 1996's Sackcloth 'n' Ashes) appears here twice.
Tasso’s masterpiece inherited the entire western literary legacy starting with Homer, and at the same time it comes to constitute the inspiring model of future generations of musicians, painters, and, of course, poets. In sum, working with Tasso allows us to communicate with a vast universe in time and space.
Popoloddities is a compilation, which included previously unreleased material.
Having roots as far back as 1959 with The Scavers and later releasing a single Arman Stumpe Dur Express, this Norwegian quintet that released two albums under the Popol Vuh moniker (a Maya mythology-related name), until they became aware of a German band using the same name, they changed their names to Popol Ace. The group went on to release another two albums before folding at the end of the decade. Musically, they sounded much straigjhter progressive rock than their German mystical homonyms: mellotrons and flute parts , funky jazz-rock and softer ballads were among their usual tricks found in their first two albums (S/T and Quiche Maya) under the Vuh name…
Marcel Dupré had a long and busy career as a recitalist, composer, teacher, writer and editor and he exerted enormous influence on all aspects of the organist's art in the early part of this century. Dupré's place in the evolution of twentieth century organ music has yet to be fully understood or appreciated and there are those who would seek to detract from the enormous impact his playing and teaching had on countless students who studied with him. It cannot be ignored that the list of his Premier Prix students at the Paris Conservatoire contains nearly every important twentieth-century French organist and composer, including Marie-Claire Alain, Jean Langlais, Jean Guillou, Jeanne Demessieux, and Olivier Messiaën.