Corse 17

Guillaume de Machaut - Les Motets - Ensemble Musica Nova (2011) {2CD Set Aeon AECD1108 rec 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 426 Mb | MP3 @320 -> 219 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 2002, 2011 Aeon | AECD 1108
Classical / Medieval / Early Music / 4th Century

Complete Motets of Machaut (re-release) Since the beauty, richness and diversity of such an oeuvre made it impossible to choose amongst the 23 motets by the Canon of Reims, the Musica Nova ensemble decided to embark on the adventure of a complete recording. Two years of work and research were necessary for putting this programme together, as the musicians strove for an in-depth approach to each motet in terms of both style and an instrumentation made possible by the very structure of the ensemble. This disc, which had a resounding critical success when first released, offers the first complete translation in modern French of Guillaume de Machaut's motets. An indispensable set!

Various Artists - Gypsy Swing (2008) {4CD Set Wagram 3138862}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.24 Gb | MP3 @320 -> 526 Mb
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© 2008 Wagram Music | 3138862
Jazz / Swing / Gipsy Jazz / Electro-Swing / Balkan

The "Gypsy jazz" - also known as Gypsy swing - is an expression that is often said to be born with the guitarist Jean "Django" Reinhardt in the 30's. Because its origin is, to a large extent French, it is often referred to as "Gypsy Jazz" or "Manouche Jazz" even in English texts. Between 1930 and 1950, Django was at the head of a group of gypsy guitarists working in Paris and around.

Compiled here are many of the greatest performances of world and ethnic music ever recorded. This volume represents a trip around the world, stopping at each port to sample one of that country’s finest recordings of its indigenous music. Each of these recordings was captured at a period during the golden age of recording when traditional styles were at their peak of power and emotion.

2009 release from L'Arpeggiata, the French-based ensemble directed by Austrian-born harpist and lutenist Christina Pluhar. L'Arpeggiata has made a speciality of exploring and exploiting the close links between Baroque repertoire and the traditional music of the Latin world and its characteristic forms such as the tarantella, the folia or the canario. On Via Crucis, 'the way of the Cross', the focus is on the pervasive presence of religious feeling in Southern Europe. The Passion of Christ evokes the same fervour in composers such as Giovanni Felice Sances (1600-1679) or Tarquinio Merula (1594-1665) - both active in northern Italy – as it does in the streets of Naples or the villages of Corsica. The two main works in the collection are Sance's extraordinary Stabat Mater and Merula's Hor ch'e tempo di dormire, in which the Virgin Mary lulls her baby to sleep while weeping for his future suffering and both enthrall the listener with a basso ostinato and hypnotic swaying rhythms.

The duo, Alexandre Souillart and Mathieu Acar, offer a repertoire of works created for saxophone and representative of the romantic aesthetic.