Cowbot in Sweden

This book will be the first to deeply analyze the Swedish court and monarchy through a longue duree perspective to show the crucial role of the court in maintaining a relationship between the monarchy and nobility throughout the eighteenth and nineteenth centuries. Sweden offered a different type of monarchy in comparison to the more often studied French and British monarchies.

This book will be the first to deeply analyze the Swedish court and monarchy through a longue duree perspective to show the crucial role of the court in maintaining a relationship between the monarchy and nobility throughout the eighteenth and nineteenth centuries. Sweden offered a different type of monarchy in comparison to the more often studied French and British monarchies.

By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin…Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin…Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.