Cpbrta Kai

Patrik Kleemola (b.1981) is one of the most prominent Finnish guitarists to emerge in recent years. After winning the II Guitaristival “Takemitsu” International Guitar Competition in Finland 2004 and gaining prizes in other competitions such as Gargnano's International Guitar Competition, his concert career has taken him to London, Buenos Aires, Rome, Milan, Athens, Turin, Florence, Tallinn, Helsinki and other cities in South America and Europe.

In 'Songs from the Planet of Life,' composer Helge Iberg uses poems of the taoist tradition to shed light on the ecological situation. An impressive handful of soloists come together with The Norwegian Radio Orchestra for this touching musical reflection on the present state of the planet and humankind. Norway's biggest newspaper Aftenposten, describes the work as "Heavenly! Iberg's concept gave us a night we will never forget!" An all-night Concerto Grosso for five soloists, narrator and symphony orchestra; extensive, grand-scale and correspondingly powerful a new Das Lied von der Erde inspired by Gustav Mahler's iconic art piece. The piece consists of 9 movements. Vocal artist Sidsel Endresen narrates the poems together with LiuTiegang, actor and leader of The National Theater of China in Beijing. Elise Batnes's interpretation of Tale of Sorrowful Song is outstanding. Christian Ihle Hadland's piano-playing is equally poignant in Lotus Dance, while Marianne Beate Kielland and Frank Havroy spellbind us in Long Autumn Night contrasted by Tom Ottar Andreassen's alto flute, all safely guided by conductor Kai Grinde Myrann.

A disc of duets and solo-voice cantatas by an obscure late-17th/early-18th century Italian singer/composer may not sound very enticing, but Francesco Antonio Pistocchi actually had a few good tunes in him and produced some works that at least will interest fans of vocal music of this period. It also offers a useful perspective for comparison with Pistocchi’s more esteemed contemporaries. As with many now-forgotten composers, there is documented evidence of his high regard during his lifetime, in this case by the Margrave and Electress of Brandenburg, for whom he worked as Kapellmeister at the Ansbach court.

The Venetian poet Antonio Conti received from Marcello the commission for a dramatic text that allows a quick succession of events, rather than the usual succession of recitative and arias.
Cassandra plunges us into Homer’s Trojan War, with its namesake prophetess who has the gift of predicting the future, but whom no one believes. The many [25] extant copies of this cantata, here given its world première recording, testify to the impact it had in its own time.