Cpe Bach Balestracci Houssier

In her fine Gramophone Award-winning debut disc (of Pieces de clavecin by Jacquet de la Guerre), Carole Cerasi brought a sparkling immediacy and character to music usually the esoteric domain of a minority. Now, she turns her attention to six sonatas by CPE Bach in another recital of natural flair and discernment. The achievement is perhaps all the more striking in that this Bach son is an especially tricky customer: his light, unpredictable sensibilities depend on a strong undercurrent of logical reference, mainly a rhythmic and contrapuntal presence inherited from his father. Strong artistic instincts are the critical adhesive.

Einer der Höhepunkte des Bachfestes Leipzig 2014 im 300. Geburtsjahr Carl Philip Emanuel Bachs war die Aufführung und Einspielung seines Oratoriums "Die Israeliten in der Wüste" mit den Experten für historische Aufführungspraxis des Neuen Orchesters & Chorus Musicus Köln unter der Leitung von Christoph Spering.

It was not always easy in the 18th century for a composer to remain true to himself on compositional, aesthetic and formal grounds, while at the same time fulfilling the requirements of his position as a princely court musician. This can be seen in this comment by Bach: ”Because I have had to compose most of my works for specific individuals and for the public, I have always been more restrained in them than in the few pieces that I have written merely for myself” (The Autobiography, written for the German translation of Charles Burney’s The Present State of Music in Germany … London, 1773—see: Carl Burney, Tagebuch seiner musikalischen Reisen Vol. 3, Hamburg, 1773).

Trost im Leid veut rendre hommage aux plus beaux lieder sacrés composés pendant la maturité de Carl Philipp Emanuel BACH, sélectionnés parmi les 250 qu'il nous a laissés au total. Inédits pour la plupart, ces magnifiques lieder laissent s'éclipser graduellement l'influence baroque au profit des thèmes et des contrastes propres au style classique de Haydn et Mozart.

Over the course of his career, Steven Isserlis has performed the two cello concertos of Franz Joseph Haydn with several orchestras, and recorded them previously with the Chamber Orchestra of Europe on RCA. This 2017 Hyperion release features Isserlis performing Haydn's Cello Concerto No. 1 in C major, H. 7b:1 and the Cello Concerto No. 2 in D major, H. 7b:2 with the Deutsche Kammerphilharmonie Bremen in a lively, all-Classical program that also includes Carl Philipp Emanuel Bach's Cello Concerto No. 3 in A major, H439, and two short filler pieces, Isserlis' arrangement of Geme la tortorella from Wolfgang Amadeus Mozart's La finta giardiniera, and the Adagio from Luigi Boccherini's Cello Concerto in G major, G480.

Over the course of his career, Steven Isserlis has performed the two cello concertos of Franz Joseph Haydn with several orchestras, and recorded them previously with the Chamber Orchestra of Europe on RCA. This 2017 Hyperion release features Isserlis performing Haydn's Cello Concerto No. 1 in C major, H. 7b:1 and the Cello Concerto No. 2 in D major, H. 7b:2 with the Deutsche Kammerphilharmonie Bremen in a lively, all-Classical program that also includes Carl Philipp Emanuel Bach's Cello Concerto No. 3 in A major, H439, and two short filler pieces, Isserlis' arrangement of Geme la tortorella from Wolfgang Amadeus Mozart's La finta giardiniera, and the Adagio from Luigi Boccherini's Cello Concerto in G major, G480.